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Transatlantic Stowe
"Blending historical and cultural criticism and drawing on fresh primary material from London and Paris, Transatlantic Stowe includes essays exploring Stowe's relationship with European writers and the influence of her European travels on her work, especially the controversial travel narrative Sunny Memories of Foreign Lands and her "Italian novel" Agnes of Sorrento."--Jacket
The Essence of Film Noir
American classic films noir, beginning with 1941's The Maltese Falcon and ending with 1950's Sunset Boulevard, and the neo-noir films made from the 1970s onward, share certain thematic aspects, stylistic qualities, and cultural contexts. Their concern with politics, their depiction of con artists, and the way their characters are shaped by America's puritanical religious roots show that these films are examples of a unique American genre, even when the films' directors are German emigres with artistic roots in European Expressionism. The films' psychological depth is revealed stylistically through complex narratives, with select directors generating visual poetry as they deal with sex, violence and betrayal. Some films are based on popular novels inspired by true crime cases. A unique approach to film noir scholarship, this book discusses the genre's thematic aspects, cultural contexts and stylistic qualities. For those films based upon novels, in-depth analysis of the fiction is provided alongside the film version, resulting in a fuller, more thorough understanding of the genre.
Representing Rural Women
Representing Rural Women highlights the complexity and diversity of representations of rural women in the U.S. and Canada from the nineteenth to twenty-first centuries. The 15 chapters in this collection offer fresh perspectives on representations of rural women in literature, popular culture, and print, digital, and social media. They explore a wide range of time periods, geographic spaces, and rural women’s experiences, including Mormon pioneer women, rural lesbians in the 1970s, Canadian rural women’s organizations, and rural trans youth. In their stories, these women and girls navigate the complex realities of rural life, create spaces for self-expression, develop networks to communicate their experiences, and challenge misconceptions and stereotypes of rural womanhood. The chapters in this collection consider the ways that rural geography allows freedoms as well as imposes constraints on women’s lives, and explore how cultural representations of rural womanhood both reflect and shape women’s experiences.
Reading Abolition
Epilogue: Critical Futures-Stowe and Douglass, Together and Separately -- Works Cited -- Index
Nineteenth-Century Literature in Transition: The 1890s
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
Curious Kin in Fictions of Posthuman Care
Over the past decade cultural theory has seen a number of 'turns' - the materialist turn, the animal turn, the affective turn - that address the human as an affective, embodied, and ultimately vulnerable animal embedded in dense webs of more-than-human relations, in short as a posthuman phenomenon. Care philosophy shares this focus on embodiment and vulnerability in its insistence on interdependence as the defining condition of human life, making it well positioned for a posthuman turn. To this end, Curious Kin in Fictions of Posthuman Care draws together contemporary narrative fictions that challenge humanist conceptions of care in their imaginative depiction of more-than-human affective bo...
Bodies of Water in African American Literature, Music, and Film
This is an edited volume of original essays which explore the meaning of bodies of water in creative narratives by African Americans. The contributors explore the representations of still and moving waterbodies across several genres of literature, film, and music. They also deploy socio-historical and environmental theories, in addition to close-reading interpretive strategies, all acknowledging and developing traditional ways of thinking about water in relation to African American experience and culture. The writers gathered here showcase insightful and vigorous research in various art forms, and, together, embody provocative, innovative and refreshing ways to contemplate water in Black American artistic expressivity.
Building Antebellum New Orleans
The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have been focused on architectural typology. In Building Antebellum New Orleans Tara A. Dudley examines the architectural activities and influence of gens de couleur libres—free people of color—in a city where the mixed-race descendants of whites could own property. Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley recreates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.
Women and Migration(s) II
Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experie...
Black Celebrity
Black Celebrity examines representations of postbellum black athletes and artist-entertainers by novelists Caryl Phillips and Jeffery Renard Allen and poets Kevin Young, Frank X Walker, Adrian Matejka, and Tyehimba Jess. Inhabiting the perspectives of boxer Jack Johnson and musicians “Blind Tom” Wiggins and Sissieretta Jones, along with several others, these writers retrain readers’ attention away from athletes’ and entertainers’ overdetermined bodies and toward their complex inner lives. Phillips, Allen, Young, Walker, Matejka, and Jess especially plumb the emotional archive of desire, anxiety, pain, and defiance engendered by the racial hypervisibility and depersonalization that has long characterized black stardom. In the process, these novelists and poets and, in turn, the present book revise understandings of black celebrity history while evincing the through-lines between the postbellum era and our own time.
