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Conrad Between the Lines
This volume makes available a variety of texts by Joseph Conrad's friends and contemporaries, ranging from a sailing memoir by his oldest English friend to a dramatic adaptation of his novel Victory, and from his secretary's notebook to his last will and testament. Often mentioned or cited by scholars, these texts are here published in full for the first time. They also reveal Conrad speaking between the lines in various voices, and raise theoretical questions about the social nature of authorship and the construction of authorial canons.
Conrad’s Drama
Conrad’s Drama: Contemporary Reviews and Observations collects both book reviews and performance reviews of Conrad’s three plays: The Secret Agent, One Day More, and Laughing Anne. These reviews and observations show how Conrad’s plays were received by his contemporaries. More than this, however, Conrad’s Drama reveals the larger conversations surrounding his plays: the state of British drama in the early 20th century, the role the drama critic has in a play’s reception, and the difficulty most fiction writers experience in trying to write for the stage. No other reference work exists for those studying Conrad’s plays, and this volume should prove to be an indispensable reference work for those working on this topic. Conrad’s Drama received an Honorable Mention in the Joseph Conrad Society of America’s Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.
British Women Poets of the Romantic Era
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
The Reception of Jane Austen and Walter Scott
Of all the great novelists of the Romantic period, only two, Jane Austen and Walter Scott, have been continuously reprinted, admired, argued about, and read, from the moment their works first appeared until the present day. The first ever comparative longitudinal study, firmly based on empirical and archival evidence, this book will be of interest to scholars in Romanticism, Victorianism, book history, reading and reception studies, and cultural history.
Byron and Scotland
Contents: Preface: Norman Buchan, M. P.; Introduction: Angus Calder; Byron the Radical: David Craig; Byron: Radical, Scotish Aristocrat: Andrew Noble; Byron and Catholicism: William Donnelly; Byron and Scott: P. H. Scott; The Provost and His Lord: John Galt and Lord Byron: Margery McCulloch; Lord Byron and Lord Elgin: Douglas Dunn; Byron: An Edinburgh Re-Review: John Curt; Byron, Scott and Scottish Nostalgia: J. Drummond Bone; "The Island: " Scotland, Greece, and Romantic Savagery: Angus Calder; "Byron Landing From a Boat" by George Sanders: Michael Rees; On Singing "Dark Lochnager: " Sheena Blackhall; Afterword: J. Drummond Bone^R
Frolics in the Face of Europe
• The first evaluation for many years of Scott as a traveller, and the first ever single treatment of all his Continental travels • Detailed discussion of his late-in-life venture to the Mediterranean in 1831-1832, drawing on fresh source material and re-evaluating evidence for his time in Naples and Rome in a new light • Deals as much with those trips dreamed of and planned – but not accomplished – as with those actually achieved: projected journeys to Spain and Portugal, Germany and Switzerland • Profusely illustrated with some unpublished colour and mono photographs from the author’s and other private collections Sir Walter Scott (1771-1832) wrote frequently of his desire to...
Weeping Britannia
There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mysti...
