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This book explores the religious concerns of Enlightenment thinkers from Thomas Hobbes to Thomas Jefferson. Using an innovative method, the study illuminates the intellectual history of the age through interpretations of Jesus between c.1650 and c.1826. The book demonstrates the persistence of theology in modern philosophy and the projects of social reform and amelioration associated with the Enlightenment. At the core of many of these projects was a robust moral-theological realism, sometimes manifest in a natural law ethic, but always associated with Jesus and a commitment to the sovereign goodness of God. This ethical orientation in Enlightenment discourse is found in a range of different metaphysical and political identities (dualist and monist; progressive and radical) which intersect with earlier ‘heretical’ tendencies in Christian thought (Arianism, Pelagianism, and Marcionism). This intellectual matrix helped to produce the discourses of irenic toleration which are a legacy of the Enlightenment at its best.
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
In this book, John H. Smith investigates the influences of classical and humanistic rhetoric on Hegel's theory and practice of philosophical representation. Smith focuses on Hegel's concept of Bildung (roughly, education, development, or formation), which occupies a central position in his philosophy. Using an interdisciplinary approach, the author demonstrates that Hegel's philosophy of Bildung depends on his own Bildung as a writer of philosophy-a formative education that followed the principles of traditional rhetorical systems. In addition, Smith provides an analysis of each stage of Hegel's philosophy in terms of a different rhetorical strategy that he finds governing Hegel's writing. By examining how rhetoric enters into the formation of Hegel's anti-rhetorical dialectics, Smith reveals the origins of numerous contradictory strategies in Hegel's thought. The first book in any language to explore the rhetorical background of Hegel's philosophy, The Spirit and Its Letter addresses issues at the intersection of contemporary literary theory, philosophy, rhetoric, and intellectual history.
In an age when it has become fashionable to dismiss the Enlightenment as a sinister movement based on instrumental rationality, Benjamin Redekop delves deeper to understand the movement on its own terms. In Enlightenment and Community he shows that the E
Papers presented at two conferences with the theme Konstruktion von Gegenwart und Zukunft in der Freuhen Neuzeit in 2004.
Friedrich von Logau ist der wichtigste deutschsprachige Epigrammatiker des 17. Jahrhunderts. Auf den Titeln seiner Sammlungen erscheint der Autorname anagrammatisch verschrieben zu Salomon (i.e. Friedrich) von Golaw. Salomon "redete dreitausend Sprüche" (1 Könige 5,12), und Logau legt 1654 sein zu ebensolcher Größe ausgewachsenes Werk der Epigramme vor: Deutscher Sinn-Getichte Drey Tausend Das sind Kurzsatiren, Gelegenheitsgedichte, Devisen und lyrische Bemerkungen in Überzahl: ein Thesaurus kritisch reflektierten Wissens seiner Zeit. Da geht es aber nicht mehr um salomonische Weisheit in ihrer Urteilssicherheit und Apodiktik. Das Epigramm ist im 17. Jahrhundert das Genre scharfsinnigen, auch spitzfindigen Denkens, das sich nicht mehr an Normen ausrichten läßt. Jedes neue Epigramm Logaus verlangt einen Blickwechsel und eine andere Sicht auf die Welt. Das schließt Widerspruch und kritische Rücknahmen ein und ergibt im Resultat: Pluralität des Denkens.
Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical téchne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue durée of this nexus—highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day—enables describing shifting degrees of rhetoricity; approachi...
The Aesthetics of Kinship intervenes critically into rigidified discourses about the emergence of the nuclear family and the corresponding interior subject in the eighteenth century. By focusing on kinship constellations instead of “family plots” in seminal literary works of the period, this book presents an alternative view of the eighteenth-century literary social world and its concomitant ideologies. Whereas Enlightenment and post-Enlightenment philosophy and political theory posit the nuclear family as a microcosm for the ideal modern nation-state, literature of the period offers a far more heterogeneous image of kinship structures, one that includes members of various classes and is not defined by blood. Through a radical re-reading of the multifarious kinship structures represented in literature of the long eighteenth century, The Aesthetics of Kinship questions the inevitability of the dialectic of the Enlightenment and invokes alternative futures for conceptions of social and political life.
Contains autobiographies written by women who experienced Nazism from different perspectives: Elfriede Brüning, Hilde Huppert, Greta Kuckhoff, Elisabeth Langgässer, Melita Maschmann, Inge Scholl and Grete Weil. This book examines autobiography as a form of writing at the centre of debates on the 'self', 'truth' and 'history'.
How Russian Literature Became Great explores the cultural and political role of a modern national literature, orchestrated in a Slavonic key but resonating far beyond Russia's borders. Rolf Hellebust investigates a range of literary tendencies, philosophies, and theories from antiquity to the present: Roman jurisprudence to German Romanticism, French Enlightenment to Czech Structuralism, Herder to Hobsbawm, Samuel Johnson to Sainte-Beuve, and so on. Besides the usual Russian suspects from Pushkin to Chekhov, Hellebust includes European writers: Byron and Shelley, Goethe and Schiller, Chateaubriand and Baudelaire, Dante, Mickiewicz, and more. As elsewhere, writing in Russia advertises itself ...