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Gustav Klimt
An overview of Gustav Klimt's life and work commemorating the 160th anniversary of the artist's birth. Gustav Klimt (1862-1918) is an artist particularly associated with Viennese Jugendstil and the "Golden Age." As a sought-after painter of frescoes and the founding president of the Vienna Secession, as the portraitist of fashionable ladies, and as an illustrator of unashamed eroticism, Klimt was both the enfant terrible and the darling of Viennese society. The creator of icons of art history like The Kiss and his portraits of Adele Bloch-Bauer, Klimt focused his oeuvre on the representation of the feminine in all its facets. After the turn of the century, he developed his inimitable "Golden...
Guilt, Suffering, and Memory
Unresolved tensions in German postwar memorials
Art of the Royal Court
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework...
How German is She?
The 1950s have passed into the history books as the period of the Federal Republic of Germany's so-called "economic miracle"; yet attention to women's roles in economic reconstruction has until now been negligible. In this book, Erica Carter explores how the development of a "social market economy" after 1949 gave a new centrality to consumers as key players in the economic life of the nation, and, in that process, gave women a new public significance. Public attention focused in particular on the nation's housewives, who were to train the populace for entry into a new world of consumer prosperity. Carter investigates this focus from two perspectives: in part 1, she tackles the political eco...
Making Prussians, Raising Germans
An investigation into why the creation of nation-states coincided with bouts of civil war in the nineteenth-century Western world.
German Anglophobia and the Great War, 1914-1918
This volume focuses on the extremity of anti-English feeling in Germany in the early years of the Great War, and on the attempt by writers, propagandists and cartoonists to redefine Britain as the chief enemy of the people and their cultural heritage.
World War One Veterans in Austria and Czechoslovakia
The First World War massively changed the scale and nature of the "military veteran question" in Europe. The enormous impact of mass deaths and destruction, the demise of old empires, and the rise of new nation states resulting from total war made the fate of ex-soldiers into a key issue that shaped all societies in interwar Europe. The unprecedented number of combatants, together with the severity and frequency of injuries incurred in industrialized warfare, meant that the relationship between ex-soldiers and the state became a crucial issue for all governments, raising major questions about welfare provisions, social policy, party politics and national memory cultures. While there has been...
Feminist Space
Feminist Space: Exhibitions and Discourses between Philadelphia and Berlin, 1865-1912 investigates the relationship between gender and the production of public space, namely the exhibitions of feminine bourgeois culture that were created in Berlin between 1865 and 1912. This book demonstrates that these exhibitions gave expression to evolving bourgeois feminist discourses that proposed an expanded public sphere, containing separate and equal, masculine and feminine qualities. In addition, these feminine exhibitions were enriched by contact with and participation in the Woman's Buildings constructed at the 1876 (Philadelphia) and 1893 (Chicago) American world exhibitions, as well as the ideals of the German applied arts movement. As the exhibitions of feminine bourgeois culture were hugely popular and financially successful events, they attracted attention and stimulated discourse and debate. This book proposes that German bourgeois feminists created unique public spaces, which can be seen as contributing to the seminal architectural culture, which emerged in Germany prior to 1914.
Buying Respectability
In 19th-century Leipzig, Toronto, New York, and Boston, a newly emergent group of industrialists and entrepreneurs entered into competition with older established elite groups for social recognition as well as cultural and political leadership. The competition was played out on the field of philanthropy, with the North American community gathering ideas from Europe about the establishment of cultural and public institutions. For example, to secure financing for their new museum, the founders of the Metropolitan Museum of Art organized its membership and fundraising on the model of German art museums. The process of cultural borrowing and intercultural transfer shaped urban landscapes with the building of new libraries, museums, and social housing projects. An important contribution to the relatively new field of transnational history, this book establishes philanthropy as a prime example of the conversion of economic resources into social and cultural capital.
