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Metamorphosis
How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term 'Metamorphosis' focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of ...
Iron Age Myth and Materiality
Iron Age Myth and Materiality: an Archaeology of Scandinavia AD 400-1000 considers the relationship between myth and materiality in Scandinavia from the beginning of the post-Roman era and the European Migrations up until the coming of Christianity. It pursues an interdisciplinary interpretation of text and material culture and examines how the documentation of an oral past relates to its material embodiment. While the material evidence is from the Iron Age, most Old Norse texts were written down in the thirteenth century or even later. With a time lag of 300 to 900 years from the archaeological evidence, the textual material has until recently been ruled out as a usable source for any study...
The Rise of the English Street Ballad 1550-1650
Natascha Würzbach's 1981 study of the street ballad was the first to investigate a specific genre of popular literature which had previously been vastly neglected. Attention is focused on the social and cultural conditions which accompanied its development. It is also looked at as a literary form.
Interpreting Schelling
The first volume on Schelling in English exploring the study of the history of philosophy and core systematic philosophical issues.
Metrical Claims and Poetic Experience
This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments...
Philosophy of Mathematics in Antiquity and in Modern Times
»Philosophy of Mathematics« is understood, in this book, as an effort to clarify such questions that mathematics itself raises but cannot answer with its own methods. These include, for example, questions about the ontological status of mathematical objects (e.g., what is the nature of mathematical objects?) and the epistemological status of mathematical theorems (e.g., from what sources do we draw when we prove mathematical theorems?). The answers given by Plato, Aristotle, Euclid, Descartes, Locke, Leibniz, Kant, Cantor, Frege, Dedekind, Hilbert and others will be studied in detail. This will lead us to deep insights, not only into the history of mathematics, but also into the conception of mathematics as it is commonly held in the present time. The book is a translation from the German, however revised and considerably expanded. Various chapters have been completely rewritten.
The Adventure of Reason
Paolo Mancosu presents a series of innovative studies in the history and the philosophy of logic and mathematics in the first half of the twentieth century. The Adventure of Reason is divided into five main sections: history of logic (from Russell to Tarski); foundational issues (Hilbert's program, constructivity, Wittgenstein, Gödel); mathematics and phenomenology (Weyl, Becker, Mahnke); nominalism (Quine, Tarski); semantics (Tarski, Carnap, Neurath). Mancosu exploits extensive untapped archival sources to make available a wealth of new material that deepens in significant ways our understanding of these fascinating areas of modern intellectual history. At the same time, the book is a contribution to recent philosophical debates, in particular on the prospects for a successful nominalist reconstruction of mathematics, the nature of finitist intuition, the viability of alternative definitions of logical consequence, and the extent to which phenomenology can hope to account for the exact sciences.
Kurt Schwitters
German artist Kurt Schwitters (1887–1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and ...
Selections
"Paul Celan is one of the essential poets—not just of the twentieth century, but of all time. Pierre Joris's selections from the remarkable, heart-shattering work provide what is surely the best one-volume introduction to Celan ever published in English."—Paul Auster "No twentieth-century poet pierces the heart of language with such an exquisite blade as Paul Celan. With Pierre Joris & company's translations of key poems, poetics, letters, and exemplary commentary, it is as if we are reading Celan for the last time, once again."—Charles Bernstein, author of With Strings "Joris has dwelled during the better part of his life in Celan's words and silences and, as his brilliant introduction demonstrates, he has journeyed through the work's intricacies like very few others."—Michael Palmer, author of The Promises of Glass "A beautiful—and necessary—book. Celan's charred radiance shines through every page."—Richard Sieburth, translator of Hymns and Fragments
