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Roman Epic
This book discusses some works of these poets: Livius Andronicus, Naevius, Ennius, Virgil, Ovid, Albinovanus Pedo, Cornelius Severus, Lucan, Valerius Flaccus, Statius, Silius Italicus, Claudian, and Corippus.
Platonic Theology: Books XVII-XVIII
Marsilio Ficino's Platonic evangelising was eminently successful and widely influential. His 'Platonic Theology' is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
Tradition and Innovation in Hellenistic Poetry
Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Witches, Druids and King Arthur
In Stations of the Sun and The Triumph of the Moon Ronald Hutton established himself as a leading authority on the historian of Paganism. His wealth of unusual knowledge, complemented by a deep and sympathetic understanding of past and present beliefs that are often dismissed as strange or marginal, and an ability to write lucidly and wittily, gives his work a unique flavour. The essays which make up Witches, Druids and King Arthur cover elegantly and entertainingly a wide range of beliefs, myths and practices.
The Ghosts of Guerrilla Memory
Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y
Virgil's Georgics
Modern studies of Virgil's Georgics have begun with the assumption that the poem is an exposition or, more recently, an idealization of rustic life and that the contrasting perspectives in it must all be shown to contribute to a single vision of that life if the poem is to be viewed as a coherent unity. The present study begins with the quite different assumption that we must accept inconsistencies in the Georgics as real, because the poem is a series of meditations upon quite different visions of rustic life and their implications for understanding the human condition and the nature of civilization. Mr. Miles discusses the poem as an assessment of conflicting efforts by contemporary Romans to find an answer or an alternative to the disruptions of the Late Republic in idealizations of country life and of Rome's agrarian past. -- Front book jacket flap.
Petrus Martyr Vermigli. Kommentar zur Nikomachischen Ethik des Aristoteles
ENGLISH Contrary to an old thesis, the dawning of the Reformation was not the end of Christian Aristotelianism. Rather, Protestants were again faced with the traditional question of the relationship between theology and philosophy. Peter Martyr Vermigli (1499-1562) counts as one of the authors who endeavored to interpret Aristotelian philosophy before the backdrop of Reformed theology. In addition to numerous exegetical and theological writings, this well respected theologian left behind a commentary on Aristotle’s Nicomachean Ethics, which is edited in the present volume. It not only evidences Vermigli’s intense engagement with the source material but also his struggle for an adequate u...
Botanical Icons
A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. This book traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evi...
