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Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Marsilio Ficino's Platonic evangelising was eminently successful and widely influential. His 'Platonic Theology' is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
This book discusses some works of these poets: Livius Andronicus, Naevius, Ennius, Virgil, Ovid, Albinovanus Pedo, Cornelius Severus, Lucan, Valerius Flaccus, Statius, Silius Italicus, Claudian, and Corippus.
In Stations of the Sun and The Triumph of the Moon Ronald Hutton established himself as a leading authority on the historian of Paganism. His wealth of unusual knowledge, complemented by a deep and sympathetic understanding of past and present beliefs that are often dismissed as strange or marginal, and an ability to write lucidly and wittily, gives his work a unique flavour. The essays which make up Witches, Druids and King Arthur cover elegantly and entertainingly a wide range of beliefs, myths and practices.
Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y
ENGLISH Contrary to an old thesis, the dawning of the Reformation was not the end of Christian Aristotelianism. Rather, Protestants were again faced with the traditional question of the relationship between theology and philosophy. Peter Martyr Vermigli (1499-1562) counts as one of the authors who endeavored to interpret Aristotelian philosophy before the backdrop of Reformed theology. In addition to numerous exegetical and theological writings, this well respected theologian left behind a commentary on Aristotle’s Nicomachean Ethics, which is edited in the present volume. It not only evidences Vermigli’s intense engagement with the source material but also his struggle for an adequate u...
A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. This book traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evi...
This collaborative volume examines revolts and resistance to the successor states, formed after Alexander the Great's conquest of the Persian empire, as a transregional phenomenon. The editors have assembled an array of specialists in the study of the various regions and cultures of the Hellenistic world - Judea, Egypt, Babylonia, Central Asia, and Asia Minor - in an effort to trace comparisons and connections between episodes and modes of resistance. The volume seeks to unite the currently dominant social-scientific orientation to ancient resistance and revolt with perspectives, often coming from religious studies, that are more attentive to local cultural, religious, and moral frameworks. ...
Pliny the Elder’s Naturalis Historia, with its varied content, enables and expects the reader to employ a complex interpretative technique. One aspect of Pliny’s diction is that he often interrupts the discussions of topics with digressions and begins to address something that seemingly has nothing to do with the subject. The hypothesis suggested by this book is that these digressions that occur in different places and in great number throughout the text of Naturalis Historia should not be regarded as mistakes fragmenting the encyclopedia’s structure. Most of these digressions are anecdotes. Researching the aetiological anecdotes, and those about the life of animals, famous persons from political or intellectual life, and the most important Greek painters and sculptors requires the application of different perspectives. When we approach anecdotes from the perspective of narrative techniques, the role of the stories as exempla becomes clearer, and its further aspects can be spotted. This book also draws attention to Pliny the writer, an aspect of the text that has been contested until very recently.