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Professor of Apocalypse
The controversial Jewish thinker whose tortured path led him into the heart of twentieth-century intellectual life Scion of a distinguished line of Talmudic scholars, Jacob Taubes (1923–1987) was an intellectual impresario whose inner restlessness led him from prewar Vienna to Zurich, Israel, and Cold War Berlin. Regarded by some as a genius, by others as a charlatan, Taubes moved among yeshivas, monasteries, and leading academic institutions on three continents. He wandered between Judaism and Christianity, left and right, piety and transgression. Along the way, he interacted with many of the leading minds of the age, from Leo Strauss and Gershom Scholem to Herbert Marcuse, Susan Sontag, ...
No Spiritual Investment in the World
Throughout the twentieth century, German writers, philosophers, theologians, and historians turned to Gnosticism to make sense of the modern condition. While some saw this ancient Christian heresy as a way to rethink modernity, most German intellectuals questioned Gnosticism's return in a contemporary setting. In No Spiritual Investment in the World, Willem Styfhals explores the Gnostic worldview's enigmatic place in these discourses on modernity, presenting a comprehensive intellectual history of Gnosticism's role in postwar German thought. Establishing the German-Jewish philosopher Jacob Taubes at the nexus of the debate, Styfhals traces how such figures as Hans Blumenberg, Hans Jonas, Eri...
The Marriage of Aesthetics and Ethics
In The Marriage of Aesthetics and Ethics, fifteen authors reflect on the nature of friendship and love and on the complex relation between art and morality. Karl Verstrynge, Vincent Caudron, Anne Christine Habbard, and Walter Jaeschke draw from authors from Aristotle to Derrida, Montaigne to Kierkegaard, and Hegel to Blanchot to discuss friendship and love. Andreas Arndt, Paul Cobben, Paul Cruysberghs, Gerbert Faure, Simon Truwant, and Margherita Tonon focus on the connection between aesthetics and ethics in the works of Kant, Schiller, Hegel, Schleiermacher, Kierkegaard, Cassirer, and Adorno. Baldine Saint Girons, Stéphane Symons, Marlies De Munck, Stijn De Cauwer, and Willem Styfhals explore the connection between ethical and aesthetic issues in photography, film, music, literature, and the visual arts.
Modern Jewish Thought on Crisis
This volume brings together scholars from a range of disciplines to explore the intersections between crisis, scholarship, and action. The aim of this book is to think about the “moment of crisis,” through the concepts, writings, and methodologies awarded to us by Jewish thinkers in modernity. This book offers a broad gallery of accounts on the notion of crisis in Jewish modernity while emphasizing three terms: interpretation, heresy, and messianism. The main thesis of the volume is that the diasporic and exilic experience of the Jewish people turned their philosophers and theologians into “experts in crisis management” who had to find resources within their own religion, culture and...
Interrogating Modernity
Interrogating Modernity returns to Hans Blumenberg's epochal The Legitimacy of the Modern Age as a springboard to interrogate questions of modernity, secularisation, technology and political legitimacy in the fields of political theology, history of ideas, political theory, art theory, history of philosophy, theology and sociology. That is, the twelve essays in this volume return to Blumenberg's work to think once more about how and why we should value the modern. Written by a group of leading international and interdisciplinary researchers, this series of responses to the question of the modern put Blumenberg into dialogue with other twentieth, and twenty-first century theorists, such as Arendt, Bloch, Derrida, Husserl, Jonas, Latour, Voegelin, Weber and many more. The result is a repositioning of his work at the heart of contemporary attempts to make sense of who we are and how we’ve got here.
The Jewish Imperial Imagination
Shows how the German imperial enterprise affected modern Judaism, through the life and thought of Leo Baeck.
Reframing Critical, Literary, and Cultural Theories
This book participates in the ongoing debate about the alleged “death of theory” and the current post-theoretical condition, arguing that the “finitude” of theoretical projects does not mean “end”, but rather contingency and transformation of thinking, beyond irreconcilable doctrines. Contributors from different cultural and scholarly backgrounds and based in three different continents propose new areas of investigation and interpretive possibilities, reopening dialogues with past and present discourses from a plurality of perspectives and locations. After a first section that reassesses the status and scopes of critique, theory, and literature, the book foregrounds new or neglec...
Off-Modern Catholic Aesthetics
Acknowledgements List of Illustrations Introduction 1 Off-Modern Profiles 2 Unpacking the Dynamics of Catholic Modernisation 3 “The Eclipse of God”: Transplanted Artists 4 “Background Metaphorics”: Exchanges between Art and Religion 5 Structure of the Book 1 Antinomies of Art and Theology. Marie-Alain Couturier and the Contradictions of Modern Sacred Culture Introduction: Couturier’s Conceptual Zig Zags Prelude. Paris, 1953. The Contradictoires Text Sacred Art between the Mechanical and Natural Attitudes 1 Le Saulchoir/Paris, 1918–1930. Catholic Endgame, or the Narrative of Decline 1.1 “Down with the Republic, Long Live the King!”: Couturier’s Romantic Anti-Capitalism and t...
Loving and Hating the World
What is it that makes discipleship authentic? Discipleship involves learning how to be in the world but not of the world. The first Christians were ambivalent about “the world”: God so loved the world that he gave his only begotten son but friendship with the world is enmity with God. So discipleship involves learning how to live with this ambivalence and an ancient tension between loving and hating the world. This book offers a deeper understanding of what discipleship means by tracing the history of this ambivalence from the New Testament to the present. It presents a revisionary account of this history as a continuing and nonnegotiable tension between loving and hating the world rather than a simple transition from medieval world-denial to modern world-affirmation. It argues that this tension helped produce our own secular age and it considers modern Jewish and Christian philosophical and theological responses to this history that suggest ways that Christians can negotiate this tension to be more authentic disciples today.
