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“Funny, incisive, frightening and eminently skillful."—New York Times The year is 1978, the tumultuous period leading up to the Iranian Revolution. While visiting Iran with her husband, Chloe Fowler is left to travel alone after he is summoned home. Much to her surprise, she finds herself drawn to the country, intoxicated by each unfamiliar sight that reminds her how far from home she really is, both comforted and unsettled by the group of foreign and Iranian physicians and their wives who take her in. However, her exhilaration crashes when odd, often frightening events begin to occur, exposing the darker side of this "colonial life." Chloe is about to be liberated from everything she ha...
Additions to the revised edition include an early anonymous newspaper account of Bloomsbury, and observations by Quentin Bell, Beatrice Webb, Gerald Brenan, Christopher Isherwood, Frances Partridge, and others.
A complete bibliographical coverage of all the author's works plus a comprehensive list of secondary sources and reviews.
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Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably a...