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Blood on the Forge
Praised by both Richard Wright and Ralph Ellison, this classic of Black literature is a brutal depiction of the Great Migration from the Jim Crow South This brutally gripping novel about the African-American Great Migration follows the three Moss brothers, who flee the rural South to work in industries up North. Delivered by day into the searing inferno of the steel mills, by night they encounter a world of surreal devastation, crowded with dogfighters, whores, cripples, strikers, and scabs. Keenly sensitive to character, prophetic in its depiction of environmental degradation and globalized labor, Attaway's novel is an unprecedented confrontation with the realities of American life, offering an apocalyptic vision of the melting pot not as an icon of hope but as an instrument of destruction. Blood on the Forge was first published in 1941, when it attracted the admiring attention of Richard Wright and Ralph Ellison. It is an indispensable account of a major turning point in black history, as well as a triumph of individual style, charged with the concentrated power and poignance of the blues.
Let Me Breathe Thunder
2017 Reprint of 1939 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. William Attaway is best known for his novel Blood on the Forge (1941), a novel with black characters about migration to the industrial North. Let Me Breathe Thunder shares many of the themes of proletarian struggle and economic determinism demonstrated in his later work. Let Me Breathe Thunder is a simply told story of migrant workers on the road caught in a predetermined universe of tragic proportions. Naturalistic in style and execution, the novel emphasizes a psychological connection between the characters and their environment. The deceptively naIve qualities of the text mask complicated symbols of forces beyond the characters' control.
African-American Writers
African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Ain't Got No Home
Ain t Got No Home: America's Great Migrations and the Making of an Interracial Left"
Radical Representations
In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of write...
Freedom Beyond Confinement
Freedom Beyond Confinement examines the cultural history of African American travel and the lasting influence of travel on the imagination particularly of writers of literary fiction and nonfiction. Using the paradox of freedom and confinement to frame the ways travel represented both opportunity and restriction for African Americans, the book details the intimate connection between travel and imagination from post Reconstruction (ca. 1877) to the present. Analysing a range of sources from the black press and periodicals to literary fiction and nonfiction, the book charts the development of critical representation of travel from the foundational press and periodicals which offered African Am...
Exiles from a Future Time
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens ...
Blood in the Low Country
Blood in the Low Country, the first of the Atkins Family Low Country Sagas, tells the story of a southern family living in Charleston, South Carolina in 1973. The book follows the lives of Monty Atkins, his wife Rose, and their sons Eli and Walker. Rose’s childhood is plagued by poverty, abuse, and tragedy. Determined to prove she’s better than her past, she relentlessly pushes her sons to succeed in proper Charleston society. When Rose’s oldest son Eli, the product of her first, failed marriage, is accused of murdering his girlfriend Kimberly, Rose fears losing everything. Monty believes his son is innocent and hires a detective to find the killer. But when the murderer is revealed, Monty’s marriage and everything he holds true are tested. Can Monty and Rose save their family and confront Rose’s demons? Only time will tell. A story of love, faith, and redemption, Blood in the Low Country is a must-read for fans of Southern family sagas.
Canaan Bound
Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.
Writers of the Black Chicago Renaissance
Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collecti...
