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All the Hours
ALL THE HOURS is a play in the form of a monologue by a nun with a Greek chorus of four psalm-chanting nuns, ending with a brief passage of dialogue. The scene is a convent cell over a single day sometime towards the end of the 20th century. 'The Liturgy of the Hours', which regulates the life of a Cistercian abbey gives the play its structure. The nun, who has been many years in the abbey, has been confined to her cell for a serious breach of The Rule. The drama unfolds in pared back, mischievous and emotive language in a profound examination of the fragility of religious belief, the difficulties of grafting the supernatural onto the natural, and the very idea of a religious vocation. William Lyons' autobiographical memoir about his onetime intimate relationship with a religious way of life serves as the introduction to the play.
The Boston Directory
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Official Register
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The Disappearance of Introspection
William Lyons presents an original thesis on introspection as self-interpretation in terms of a culturally influenced model. His work rests on a lucid, careful, and critical examination of the transformations that have occurred over the past century in the concepts and models of introspection in philosophy and psychology. He reviews the history of introspection in the work of Wundt, Boring, and William James, and reactions to it by behaviorists Watson, Lashley, Ryle, and Skinner.
