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Paintings in the National Gallery
This volume brings together the exceptional collection of paintings found in The National Gallery, London - one of the world's major repositories of paintings and perhaps the most significant in terms and variety and entirety since all the main European schools of painting are represented. Works featured in the book include masterpieces by Titian, Rubens, Rembrandt, Botticelli, Poussin, van Dyck, Vermeer, Manet, Constable, Degas, Seurat, van Gogh, Monet, Caravaggio, Goya and many, many others. In addition to holdings in Flemish art and the largest collection of Velazquez outside of Spain, the gallery also houses one of the finest collections of British art including Hogarth, Gainsborough, Stubbs, Constable and Turner. The works featured in this collection represent the pivot points around which the entire world of European painting from the Middle Ages through the nineteenth century rotates. Sumptuously illustrated with 600 colour plates, PAINTINGS IN THE NATIONAL GALLERY is an invaluable resource for scholars and art lovers alike.
The Look of the Past
Visual and material sources are central to historical practice and this is a much-needed introduction to using artefacts as evidence.
The Glory of Venice
Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the most artistic city of 18th-century Italy. This beautiful book examines the whole range of the arts in Venice during the period, including paintings, pastels and gouaches, drawings and watercolors, prints and illustrated books and sculpture. Beautifully illustrated.
Art and Faith in the Venetian World
A study of Christ as Man of Sorrows in the Venetian world from the late Medieval through the Baroque era. Art and Faith in Venice is the first study of the Man of Sorrows in the art and culture of Venice and her dominions across three centuries. A subject imbued with deep spiritual and metaphorical significance, the image pervaded late-Medieval Europe but assumed in the Venetian world an unusually rich and long life. The book presents a biography, first tracing the transmission of the image as a vertical, half-length figure devoid of narrative from the Byzantine East c. 1275 and then exploring its gradual adaptation and diffusion across the Venetian state to a wide range of media, reaching f...
