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Goodfellas meets Thelma and Louise when an unlikely trio of women in New York find themselves banding together to escape the clutches of violent figures from their pasts. After Brooklyn mob widow Rena Ruggiero hits her eighty-year-old neighbor Enzio in the head with an ashtray when he makes an unwanted move on her, she embarks on a bizarre adventure. Taking off in Enzio’s ’62 Impala, she retreats to the Bronx home of her estranged daughter, Adrienne, and her granddaughter, Lucia, only to be turned away by Adrienne at the door. Their neighbor, Lacey “Wolfie” Wolfstein, a one-time Golden Age porn star and retired Florida Suncoast grifter, takes Rena in and befriends her. When Lucia dis...
It’s been sixteen years since “Ray Boy” Calabrese’s actions led to the death of a young man. The victim’s brother, Conway D’Innocenzio, is now a 29-year-old Brooklynite wasting away at a local Rite Aid, stuck in the past and drawn into a darker side of himself when he hears that Ray Boy’s has been released. But even with the perfect plan in place, Conway can’t bring himself to take the ultimate revenge.Meanwhile, failed actress Alessandra returns to her native Gravesend after the death of her mother, torn between a desperate need to escape immediately back to LA and the ease with which she sinks back into neighborhood life. Alessandra and Conway are walking eerily similar paths—staring down the rest of their lives, caring for their aging fathers, lost in the youths they squandered—and each must decide what comes next.In the tradition of American noir authors like Dennis Lehane and James Ellroy, William Boyle’s Gravesend brings the titular neighborhood to life in this story of revenge, desperation, and escape.
What’s a twenty-two-year-old Irish American cop who’s never been out of Massachusetts before doing at Beardsley Hall, an English country house, having lunch with King Haakon of Norway? Billy Boyle himself wonders. Back home in Southie, he’d barely made detective when war was declared. Unwilling to fight—and perhaps die—for England, he was relieved when his mother wangled a job for him on the staff of a general married to her distant cousin. But the general turns out to be Dwight D. Eisenhower, whose headquarters are in London, which is undergoing the Blitz. And Uncle Ike wants Billy to be his personal investigator. Billy is dispatched to the seat of the Norwegian government in exile. Operation Jupiter, the impending invasion of Norway, is being planned, but it is feared that there is a German spy amongst the Norwegians. Billy doubts his own abilities, with good reason. A theft and two murders test his investigative powers, but Billy proves to be a better detective than he or anyone else expected.
A collection of rememberances written by students and Faculty, of a retired Jesuit, Father William Boyle, S.J., who taught Classics at Fordham University.
This anthology of Mississippi crime fiction “has produced a unique, delicious flavor of noir” with stories by Ace Atkins, Megan Abott and more (New York Daily News). From poverty to state corruption, Mississippi has a well-deserved reputation for trouble. Could there be a connection between its many misfortunes and its rich literary legacy? Mississippians from Tennessee Williams and Eudora Welty to Richard Ford and John Grisham certainly know how to tell a good story. Now Mississippi Noir offers “a devilishly wrought introduction” to a new generation of “writers with a feel for Mississippi who are pursuing lonely, haunting paths of the imagination” (Associated Press). Mississippi Noir includes brand-new stories by Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.
"William Boyle does for the small damaged towns of New York what Nelson Algren did for Chicago: he makes the streets sing with piss-pot poetry and gut-bucket blues. These are edgy stories about people who would have to pull themselves up to walk the line, people who spend so much time in bars, drunks and bartenders start to look like family. In here, hardship is a given, failure too, but Boyle's beautiful prose infuses his characters with a deep sense of knowledge and dignity and awareness, so hope is always present, no matter how dim the light. In DEATH DON'T HAVE NO MERCY, a shot of whiskey is rocket fuel, and the songs are all sung by dead folks and outlaws. Drunk working men look like du...
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The philosophy of Robert Boyle (1627-1691) is a hot topic in early modern philosophy. Boyle was at the centre of the scientific community of 17th-century England, and an accurate view of the Enlightenment scientific revolution is impossible without recognition of the contributions that he made. Work on Boyle's philosophy is also shedding light on contemporary issues in the philosophy of science - it can help us understand the nature of scientific explanation and the role that the mechanical model of explanation plays in present-day science. Boyle's mechanical philosophy ushered in a new explanatory model for science and even though his corpuscular hypothesis failed, its failure does not enta...