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Miracles and Sacrilege
Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court’s decision striking down a government ban on Roberto Rossellini’s film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere ‘business’ unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as ‘sacreligious.’ Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue ...
Lincoln's First Crisis
""Lincoln's First Crisis" covers four of the most consequential months in American history: December 1860 through April 1861. In this thoughtful, careful reassessment, Johnson reconstructs the beginning of the Civil War, when Lincoln bested his rivals and established himself as commander in chief, doing so on his own political, moral, and military terms that helped lay the foundation for meaningful Union victory"--
Lincoln’s First Crisis
Lincoln’s First Crisis concerns five of the most consequential months in American history: December 1860 through April 1861. When Abraham Lincoln swore his oath as president, the United States was disintegrating. Seven states had seceded, and as many as eight seemed poised to join them, depending upon how the new president handled the secession crisis and its flashpoint: Fort Sumter in South Carolina, the heart of the rebellion. The fate of the republic hung in the balance. The Sumter crisis has been hotly debated and deeply researched for more than 150 years. In this thoughtful reassessment, William Bruce Johnson combines thorough research and the latest historiography with a litigator’...
The Encyclopedia of British Literature, 3 Volume Set
Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
Regents' Proceedings
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The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
This comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
Wordsworth's Revisionary Aesthetics
This book offers a fresh understanding of the role of aesthetics in Wordsworth's major poetry and prose. Arguing that Wordsworth presents sublimity and beauty as strata in the mind's aesthetic retrieval, Professor Kelley's 1988 text proposes geological precedents for this aesthetic model and evaluates its differences from the models developed by Burke, Kant and Hegel. This study sheds light on Wordworth and Romanticism in several ways. It establishes key differences between his aesthetics and that of Burke, Kant and other predecessors; it offers an insightful understanding of the aesthetic nature of Wordsworth's poetic achievement; and it grounds its close, rhetorical analysis of texts and figures in relevant historical and political contexts.
