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Hawthorne and the Real
Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.
Writing Revolution
In recent years, formalist and deconstructive approaches to literary studies have been under attack, charged by critics with isolating texts as distinctive aesthetic or linguistic objects, separate from their social and historical contexts. Historicist and cultural approaches have often responded by simply reversing the picture, reducing texts to no more than superstructural effects of historical or ideological forces. In Writing Revolution, Peter J. Bellis explores the ways in which literature can engage with--rather than escape from or obscure--social and political issues. Bellis argues that a number of nineteenth-century American writers, including Nathaniel Hawthorne, Henry David Thoreau...
Poisonous Muse
According to Sara Crosby, the new popular ‘power of horror’—in writings by Poe and many others—gave American authors a new way of moving beyond beauty through the ‘poisonous muse.’ This new power corresponds to the vitalizing changes in Jacksonian America and brings with it a major change in US literary history. Her study of these changes in the US cultural scene is an incredibly engaging, vibrant narrative.
To Myself A Stranger
When she was forty-four years old, Rose Hawthorne Lathrop left her comfortable home in New London, Connecticut, and soon thereafter took an apartment on Manhattan's Lower East Side. She ran a newspaper ad inviting indigents dying of cancer to come live with her to be cared for until their death. The journey that led this daughter of one of America's most prominent literary figures to that Lower East Side tenement is the subject of this fascinating and far-reaching biography by Patricia Dunlavy Valenti. Rose was born in 1851, the youngest child of Nathaniel and Sophia Hawthorne. As an adult, she reflected upon a childhood that "made me seem to myself a stranger who had come too late." Indeed,...
The Materials of Exchange between Britain and North East America, 1750-1900
Taking a multidisciplinary approach to the complex cultural exchanges that took place between Britain and America from 1750 to 1900, The Materials of Exchange examines material, visual, and print culture alongside literature within a transatlantic context. The contributors trace the evolution of Anglo-American culture from its origins as a product of the British North Atlantic Empire through to its persistence in the post-Independence world of the nineteenth and early twentieth centuries. While transatlanticism is a well-established field in history and literary studies, this volume recognizes the wider diversity and interactions of transatlantic cultural production across material and visua...
Cross-Examinations of Law and Literature
This book uses legal thought and legal practice as a lens through which to read some of the important fictions of antebellum America.
Misfits and Marble Fauns
This book offers a fresh approach to Hawthorne and O'Connor as writers of the American romance. Drawing from a contemporary philosophical context, it applies Gadamer's cultural critique of modernity to the moral and artistic visions conveyed through the authors' use of the literary form of romance. Hawthorne defines the romance form in terms of its freedom from the realism demanded by the novel. The writer of romance creates a neutral territory between the actual and imaginary, inner and outer reality. The world of the romance is therefore one of the author's own making, freed from the constraints of objective reality. As Hawthorne's formulation emphasizes mystery as the traditional realm of...
The Factory Girl and the Seamstress
This book studies the representations of working-class women in canonical and popular American fiction between 1820 and 1870. These representations have been invisible in nineteenth century American literary and cultural studies due to the general view that antebellum writers did not engage with their society's economic and social relaities. Against this view and to highlight the cultural importance of working-class women, this study argues that, in responding to industrialization, middle class writers such as Melville, Hawthorne, Fern, Davies, and Phelps used the figures of the factory worker and the seamstress to express their anxieties about unstable gender and class identitites. These fictional representations were influenced by, and contributed to, an important but understudied cultural debate about wage labor, working women, and class.
Nathaniel Hawthorne
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Poe, Fuller, and the Mesmeric Arts
"Examines how the writings of Edgar Allan Poe and Margaret Fuller draw from representations of and theories concerning animal magnetism, somnambulism, or hypnosis rendered in newspapers, literary and medical journals, pamphlets, and books, and also includes discussion of Ralph Waldo Emerson, Lydia Maria Child, and Walt Whitman"--Provided by publisher.
