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This book examines the process by which a capitalist society emerged in Bradford. Although Bradford represents an unusual social environment where industrial development began very early and proceeded very fast, its history discloses with unusual force and clarity a process that was more gradually transforming the wider society of nineteenth-century Britain and that subsequently spread throughout the world.
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This fascinating selection of photographs traces some of the many ways in which Bradford has changed and developed over the last century.
Despite Charlotte Brontë's entreaty to her lifelong friend Ellen Nussey to burn her correspondence, very little seems to have been destroyed, and in this fully annotated edition, based as far as possible on original manuscripts, many confidential and outspoken letters are published in full for the first time. As well as Charlotte's own letters from 1829 to 1847, a handful of important letters and diary extracts by her friends and family illuminate the writer's correspondence. This volume covers the period from her childhood up to the publication and review of Jane Eyre.
Living Backwards: A Transatlantic Memoir incorporates November 1948 into a longer work that takes the ten-year-old author from a small gray Yorkshire village to the bright postwar boom of Los Angeles and back again at fourteen to the sober mill region of his ancestors. Back "home" without his family, he struggles with the loneliness of adolescence and the eccentric strangers of his new life.
A family history, tracing the varied fortunes of the Smiths of West Yorkshire and their relationship to other families, i.e. The Absaloms of Hampshire and London ; The Cardens of Brighton ; The Cloughs of Sutton and Crosshills ; The Fareys of Skipton ; The Fosters of Birmingham and Waterford in Ireland ; The Gillinsons of Leeeds ; The Hastings of Holderness ; The Myersons of London and Europe ; The Stamfords of East Yorkshire and The Wilsons of Colne, Sutton and Crosshills.
This study is a textual and contextual appraisal of the writings of Yorkshire-born Hedley Smith (1909-94) whose depiction of the fictional mill village of Briardale, Rhode Island, captures an early twentieth-century labor diaspora peopled with textile workers. Enraged and embittered at the transformatory experience of his own emigration, Smith used fiction to explore Yorkshire immigrants' culture and stubborn refusal to assimilate, their vital sexuality, and their vivid social customs. As Smith's writings reveal, emigration involves grief and anger, often universally concealed and problematic. Adopting a transnational perspective, Mary H. Blewett links Smith's fictional community to empirical data on the substance of working-class lives both in Yorkshire and in New England's worsted textile industries.
First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.