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In Trousers
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A New Brain
"an energetic, sardonic, often comical musical about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital, surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor, and the nurses. Reluctantly, he had been composing a song for a children’s television show that features a frog – Mr. Bungee – and the specter of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable, and Gordon recovers, grateful for a chance to compose the songs he yearns to produce."--Publisher.
Falsettos
"A seamless pairing of March of the Falsettos and Falsettoland, acclaimed off Broadway musicals written nearly a decade apart. It is the jaunty tale of Marvin who leaves his wife and young son to live with another man. His ex wife marries his psychiatrist, and Marvin ends up alone. Two years later, Marvin is reunited with his lover on the eve of his son's bar mitzvah, just as AIDS is beginning its insidious spread"--Publisher
March of the Falsettos
March of the Falsettos" is the title song of this act of the show. William Finn planned on calling the show "The Pettiness of Misogyny", but then he decided to go with a less direct and more subtle title, calling it "March of the Falsettos". But what does the title mean? The central theme of the show is the characters lack of maturity (as they also state themselves in this song) and their journey of growing out of their childish behavior. Something that for instance Marvin needs to do to be the father Jason needs. Jason, whose voice hasn't yet changed, sings an octave higher than the other three men throughout the show. This is the only song, that all four men sing in the same register, since Marvin, Medel and Whizzer sing in the falsetto, losing the symbol of manhood - their changed voices. None of these men have grown up yet. All of them are still very self-centered, self-involved and insist on getting whatever they want. The "March of the Falsettos" is their journey from childhood to becoming adults.
The Howells of Carbonear
The Howells of Carbonear is a thoroughly researched and sweeping genealogy that traces the 375-year documented history of the Howell family of Carbonear, Newfoundland. The Howells were planters, who came to Newfoundland to fish but did not return to England at the end of the season, remaining “planted” in the province. The book highlights the family’s early hardships, including the many deaths that resulted from the harsh conditions of the fisheries. Pioneers of early Newfoundland, the tenacious, resourceful, and closeknit Howells depended on extended family for survival. Containing twenty-five years of research and supplemented by original wills, deeds, court and church records, photographs, interviews, and stories passed down through generations, The Howells of Carbonear represents an astounding achievement in family genealogy. Donald E. Howell traces a direct line from the resilience of his ancestors to the Howells of today, offering readers a rare and extensive glimpse into his family’s history and heritage. This book is a valuable heirloom for Howell family descendants and a fascinating read for anyone interested in Atlantic Canada’s rich history.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Rainbow Jews
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
No Safe Spaces
DIVExplores fifty years of non-traditional casting practices on the American stage and the questions of cultural identity that they have raised/div
