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In July 2007, Pope Benedict XVI issued Summorum Pontificum, designating two "uses" or "forms" of the Roman Rite, declaring the Missal of Paul VI to be the "ordinary form" and the 1962 Missal of John XXIII to be its "extraordinary form." On the same day, the pope also published a letter to bishops, Con Grande Fiducia, to accompany and offer commentary on this motu proprio. In Care for the Church and Its Liturgy, William H. Johnston offers analysis and commentary on both documents, exploring their meaning, context, purposes, implementation, and implications. Johnston carefully attends to the multiple purposes of the documents themselves and to the various questions related to their implementat...
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
This book brings the story of African American artist William H. Johnson (1901-1970) to light. Born in South Carolina, Johnson moved to New York as a teenager to live with his uncle, working as a hotel porter, cook, and stevedore -- and earning admission to the School of the National Academy of Design, where he won almost every student prize available. A trip to Europe became permanent residence after he married Danish textile artist Holcha Krake. He enjoyed wide success until World War II forced the couple to move to New York. After his wife's death Johnson's physical and mental health collapsed and after 1947 he never painted again. Steve Turner traces the fate of Johnson's huge body of work, indifferently managed for him by court-appointed guardians and the Harmon Foundation.