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Pathway to Hell
Shell shock, battle fatigue, posttraumatic stress disorder, lack of moral courage: different terms for the same mental condition, formal names that change with observed circumstances and whenever experts feel prompted to coin a more suitable descriptive term for the shredding of the human spirit. Although the specter of psychological dysfunction has marched alongside all soldiers in all wars, always at the ready to ravish minds, rarely is it discussed when the topic is America’s greatest conflict, the Civil War. Yet mind-destroying terror was as present at Gettysburg and Antietam as in Vietnam and today in Iraq and Afghanistan. Drawing almost exclusively from extensive primary accounts, Dennis W. Brandt presents a detailed case study of mental stress that is exceptional in the vast literature of the American Civil War. Pathway to Hell offers sobering insight into the horrors that war wreaked upon one young man and illuminates the psychological aspect of the War Between the States.
Showman
"A road-weary show veteran, Lowery landed a spot in the Ringling Brothers Sideshow Band at the height of the golden age of circuses. At a time when the nation slammed the doors on African American travel and opportunity, his work with the Ringling Brothers changed the music scene. By 1910, as a result of his performances, there were fourteen circus acts that employed African American bands."--Jacket.
Brass Bands of the British Isles 1800-2018 - a historical directory
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
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The Brass Band Bibliography
9th edition, 2019. A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009)
Brass Chamber Music in Lyceum and Chautauqua
This study of brass chamber music in lyceum and chautauqua fills a lacuna in brass history. It explores the forgotten phenomenon of the many chamber brass ensembles that entertained millions of Americans from coast to coast from 1877 to 1939 and presents histories of sixty-one ensembles that performed music for brass trio, brass quartet, brass quintet, and brass sextet for lyceum and chautauqua audiences. The author also writes about the large repertoire of music for small brass ensembles that he discovered was published in America from 1875 through the 1920s. This First American Chamber Brass School is discussed in one of five overviews of the principal eras in brass chamber music history that form the most comprehensive history of brass chamber music written in fifty years. Hardbound.
The Hebrew Orphan Asylum Band of New York City, 1874-1941
The Hebrew Orphan Asylum Band of New York City, 1874–1941 is at the same time the story of a boys’ band and a story of New York City. The band was not only an important educational component of one of the largest Jewish charitable organizations of its time, but also a significant source of music-making and performance in New York. What made the band especially noteworthy was the reputation it developed performing outside of New York’s many concert halls and major musical institutions. The band was ever-present, participating in events ranging from conventional parades to building ground-breakings to celebrations of major figures in New York history. The band was always ready to perform...
The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a care...
A Manual for the Performance Library
A Manual for the Performance Library is a guide for organizing and operating a library of music performance materials for orchestra, band, chorus, jazz ensemble, and chamber music.
