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A personal remembrance from the preeminent chronicler of Black life in Appalachia.
Chesapeake Boyhood is an account of growing up on the lower Eastern Shore of the Chesapeake during the years following the Great Depression. Turner's stories include rousing tales of 'coon hunting, crabbing, boat building, duck hunting, oyster tonging, and Saturday jaunts to town. Turner brings the characters, experiences, waterscape, and landscape of rural Virginia to life as no one has done before or is likely ever to do again. His own drawings illustrate the stories, and they, too, win us over with their honesty and charm. "Its chief virtue (besides its highly literate style), it seems to me, is its intimate, sensory knowledge of a vanishing Chesapeake landscape: its sounds and smells, th...
Although southern Appalachia is popularly seen as a purely white enclave, blacks have lived in the region from early times. Some hollows and coal camps are in fact almost exclusively black settlements. The selected readings in this new book offer the first comprehensive presentation of the black experience in Appalachia. Organized topically, the selections deal with the early history of blacks in the region, with studies of the black communities, with relations between blacks and whites, with blacks in coal mining, and with political issues. Also included are a section on oral accounts of black experiences and an analysis of black Appalachian demography. The contributors range from Carter Woodson and W. E. B. Du Bois to more recent scholars such as Theda Perdue and David A. Corbin. An introduction by the editors provides an overall context for the selections. Blacks in Appalachia focuses needed attention on a neglected area of Appalachian studies. It will be a valuable resource for students of Appalachia and of black history.
This book brings the story of African American artist William H. Johnson (1901-1970) to light. Born in South Carolina, Johnson moved to New York as a teenager to live with his uncle, working as a hotel porter, cook, and stevedore -- and earning admission to the School of the National Academy of Design, where he won almost every student prize available. A trip to Europe became permanent residence after he married Danish textile artist Holcha Krake. He enjoyed wide success until World War II forced the couple to move to New York. After his wife's death Johnson's physical and mental health collapsed and after 1947 he never painted again. Steve Turner traces the fate of Johnson's huge body of work, indifferently managed for him by court-appointed guardians and the Harmon Foundation.
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Who are queers, and what do they want? Could it be that we are all queers? Beginning with such questions, this book traces the roots of queer theory, examining the growing awareness that few people precisely fit standard categories for sexual and gender identities.
Meet the Artist: J. M. W. Turner is packed with inspiring activities for budding young artists. Create colorful Turneresque landscapes and seascapes, experiment with watercolors, and paint portraits of your friends and family. Starting with a brief introduction to the life of J. M. W. Turner (1775-1851), an English painter known for his evocative land- and seascapes, the book offers a series of drawing-based activities that explore prominent themes and ideas in the artist's work. Featuring beautiful reproductions of actual artworks and illustrated by a leading contemporary illustrator, this book, like all titles in the Meet the Artist series, encourages children to use art as an avenue for exploring ideas and expressing their own experiences.
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Social research monograph based on a sample survey of sixty negro nonmanual workers and twenty negro manual workers in Chicago, on the development of the Black middle class in the USA - covers sociological aspects, demographic aspects, social status, social mobility, etc., and includes case studies of negro motivations and attitudes together with a summary of conclusions and the text of the questionnaire used. Bibliography pp. 172 to 177 and statistical tables.
William Turner (1775-1851) was simultaneously a romantic and a realist--and yet he transcended both styles. This book opens up Turner's paintings, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself.