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"Windswept Dawn is Faeroese Under Milk Wood revealing the whole personality of a small closely knit community. William Heinesen brings to life a whole host of vivid, larger than life characters from the sectarian preacher, Reinhold Vaag, the drunken, philosophising solicitor Morberg, the well-meaning voyeur Vitus, to the firebrand shopkeeper Landrus and the bizarre teacher Balduin who is intent on reaching spiritual perfection. We see the large cast of characters battling against the elements, the hostile sea and the rough terrain while the Lutherans and the Plymouth Brethren fight for their souls in a changing world. The main character in the novel is the Faroes Island themselves." --Book Jacket.
'The Good Hope' is the story of one man's battle against a corrupt and dictatorial regime. Playing with both historical language and historical fact, William Heinesen addresses the struggle against evil, sectarianism, superstition and oppression.
Heinesen's novels always contain the portrait of what might be termed a 'good' woman, such as Simona in 'Windswept Dawn' or Eliana in 'The Lost Musicians'. Here, the 'good' woman is Antonia, raised to mythological status as representative of motherhood, the bearer of life as has existed since the dawn of time.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Music is at the heart of this book. The devotion to it of a group of amateur musicians forming the Boman Quartet prevents a series of dramatic events from turning into heart-rending tragedy. Music enables each of the musicians to rise above his own bleak situation. But there is humour, too, especially in the satirical, larger than life portrayal of the local sectarians, led by the bank manager Ankersen, as they seek in vain to break the spirit of the musicians. And humour of a more earthly kind in Janniksen, the huge blacksmith who is completely at the mercy of his petty-minded sectarian wife. The setting is a small Faroese town at the beginning of the 20th century - and that town is today the capital of the Faroe Islands, Torshavn.
Danish Northwest is a poetry collection that shows “hygge” in its various aspects as practiced or rendered in the outskirts of Denmark, more precisely in the northwestern region of Jutland called Thy. The poems were originally published in Danish and in a dialect called “thybomål”. As with any translation, the English version can be considered in a sense a new collection of poems given the adjustments and additions needed to capture the essence of the original. This new rendering has been achieved through a collaboration between the author and the Irish poet, Mary-Jane Holmes.
Mapping Minor/Small and World Literatures: Periphery and Center makes a declarative intervention in debates about world literature, redefining the boundaries between the center and periphery to rejuvenate long-established assumptions about significance and insignificance. In this book, African American literature (emerging from the often overlooked pink periphery, a cramped space of minor literature), works from the Faroe Islands, Basque literature, First Nation Canadian literature, Western narratives about peripheral China, Kurdish literature, the ultraminor literary space of Antigua, the 'favela' of Brazilian literature, as well as the hyperlocal narratives of Australian and New Zealand li...
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