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SHAME: Identity Thief is a book full of powerful revelation Biblical insights and personal experience tracing the causes characteristics and cure for shame.
First published in 1970. This volume is an Investigation into Mr. Malone's Claim to the Character of Scholar or Critic, is an examination of his inquiries into the authenticity of the Shakespeare Manuscripts, by Ireland. It was written to refute the authenticity of certain miscellaneous papers attributed to William Shakespeare by Edmond Malone in 1796 which had destroyed all confidence in the 'Shakespearean' manuscripts forged by Ireland's son William Henry.
Supporters filled the house to ensure a positive reception, but as the curtain went up, no one could suspect the disaster that was to ensue.
"Familia, " which was first published in 1985, aims to provide informed writing on sources and case studies relating to that area where Irish history and genealogy overlap with mutual benefit. Members of the Foundation's Guild receive "Familia "and the "Directory of Irish Family History Research" as part of the return on their annual subscription.
A revisionary account of the powerful myths that grew up around the production and reception of the great medieval poem. Also available as Open Access.
The Dynamic 2-5-14 Strategy to Defeat the Darkness Within "This book is for the tired, the defeated, the frustrated, and the ashamed. For the hurt and broken, those walking in powerlessness and fear. For all who have found truth but are failing miserably at living it. For those walking in bondage and limitations imposed by forces over which they seem to have no control. For those secretly wondering why their lives don't portray the overcoming reality God has purposed. For those to whom it seems a strong unseen hand holds them to a course they feel incapable of changing." (From Chaper 1) The 2-5-14 strategy gives answers to the 2 ways the enemy has access to your life, the 5 doors to legal ground that gives Satan his rights and the 14 spirits that are the roots of common human problems.
A fascinating account of how Shakespeare's works were understood and valued by readers and writers from the seventeenth to the nineteenth century, before Shakespeare's biography came to dominate readings of his plays and poetry. For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespear...
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