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This compelling work of documentary history tells a story of idealism betrayed, a story of how the Comintern (Communist International), an organization established by Lenin in 1919 to direct and assist revolutionary movements throughout the world, participated in, and was ultimately destroyed, by the Stalinist repression in the late 1930s. Presenting and drawing on recently declassified archival documents, William J. Chase analyses the Comintern's roles as agent, instrument, and victim of terror. In both principle and practice, the Comintern was an international organization, with a staff that consisted primarily of Communist emigres who had fled dictatorial regimes in Europe and Asia. It wa...
A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849-1916), one of America's influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O'Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase's career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase's multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.
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