You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.
The Society for the Protection of Ancient Buildings, founded by artist and craftsman William Morris in 1877, sought to preserve the integrity of historic buildings by preventing unnecessary repairs and additions. William Morris's intention and that of the SPAB, as outlined by the original manifesto, was that buildings of any period had a life that was best protected through the conservative repair of what was falling into ruin and the prevention of injury to buildings by safeguarding them as much as possible and practical. This practice became known as historic preservation. In this study, Donovan, relying upon many original documents from the SPAB archives in London, traces the history of the SPAB from it's foundation in nineteenth-century England to its current activities in England and Western Europe.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
None
The nine lectures and essays collected in this volume represent the most important formulations on art and society that William Morris developed after the joined the socialist Democratic Federation in 1883. In vibrant and compelling prose, they demonstrate that Morris is the true initiator of an extraordinarily creative tradition of radical aesthetics that includes such twentieth-century figures as Georg Lukács, Ernst Bloch, Theodor Adorno, Walter Benjamin, and Raymond Williams.