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The late eighteenth century was one of the most exciting and unsettling periods in European history, with the shock-waves of the French Revolution rippling around the world. As this collection of essays by leading scholars shows, Wales was no exception. From political pamphlets to a Denbighshire folk-play, from bardic poetry to the remodelling of the Welsh landscape itself, responses to the revolutionary ferment of ideas took many forms. We see how Welsh poets and preachers negotiated complex London–Wales networks of patronage and even more complex issues of national and cultural loyalty; and how the landscape itself is reimagined in fiction, remodelled à la Rousseau, while it rapidly emptied as impoverished farming families emigrated to the New World. Drawing on a wealth of vibrant material in both Welsh and English, much of it unpublished, this collection marks another important contribution to ‘four nations’ criticism, and offers new insights into the tensions and flashpoints of Romantic-period Wales.
A cunning and successful literary forger, Iolo Morganwg has been a controversial figure within Welsh literary tradition and history ever since his death in 1826. During his lifetime, however, he was largely a figure on the margins of Welsh literary society, who found the task of getting his work into the coveted sphere of print culture a gargantuan one. This book examines how he dealt with the frustrations of his marginality – writing sardonic remarks in the margins of books published by his contemporaries, and submerging himself in a mound of scrap paper on which he wrote numerous drafts of poems and conducted original work on the Welsh language.