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Restless Spirits
Finalist for the 2020 ForeWord INDIE Book of the Year in the Multicultural Adult Fiction Category Restless Spirits is a collection of previously unpublished plays by contemporary Assiniboine playwright William S. Yellow Robe Jr. Including one full-length and seven one-act plays, this book reflects one of the author's most creative and productive periods in his career. Selected by Yellow Robe, in consultation with editor Jace Weaver, the plays reveal the range of Yellow Robe's writing from tragedies to farce. They are unified by their supernatural themes or significant elements, including Wood Bones, his most recent and highly successful full-length play. Weaver's introduction says that the works in this collection clearly demonstrate that Yellow Robe is not just a great American Indian playwright, but a great American playwright in the company of David Mamet, Lynn Nottage, and Wallace Shawn. Renowned American Indian playwright Hanay L. Geiogamah provides a foreword and calls this volume "a real gift to the American Indian theater—and to theater, more generally."
Where the Pavement Ends
Five plays by the award-winning Native playwright When leading Assiniboine playwright Wil-liam S. Yellow Robe, Jr., began his theatrical career, few roles existed for American Indians. So he wrote his own plays, creating parts for himself and other Native actors. Where the Pavement Ends contains five of Yellow Robe's most poignant and powerful plays: The Star Quilter, The Body Guards, Rez Politics, The Council, and Sneaky. Written in the 1980s and 1990s and based on his experiences on the Fort Peck reservation, these plays explore American Indian experience, from Indian-white relations to ecology and identity. Combining raw reservation reality with subtle humor, their unique perspective on humanity remains fresh today.
The Native American Renaissance
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination...
New Native American Drama
This first collection of plays by an Indian playwright presents a spectrum of Indian life that ranges in time from the past to the present and on into the future. Body Indian, the earliest, most widely performed, and most highly acclaimed of Geiogamah's plays, deals with a problem of the present -Indian alcoholism. But the play is not so much about alcoholism as it is about the social and moral obligations that Indian people owe to one another. Foghorn, through the use of humor rather than bitterness, tries to exorcise the harmful stereotyping that often stands in the way of non-Indians' understanding of Indians, and even on occasion of Indians' own appreciation of themselves. In the play 49...
Staging Coyote's Dream
The first anthology of First Nations drama to be published in Canada, this volume includes seminal work by various authors, and also features previously unpublished plays.
Native American Performance and Representation
Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConac...
"Still They Remember Me"
Newell Lyon learned the oral tradition from his elders in Maine's Penobscot Nation and was widely considered to be a "raconteur among the Indians." The thirteen stories in this new volume were among those that Lyon recounted to anthropologist Frank Speck, who published them in 1918 as Penobscot Transformer Tales. Transcribed for the first time into current Penobscot orthography and with a new English translation, this instructive and entertaining story cycle focuses on the childhood and coming-of-age of Gluskabe, the tribe's culture hero. Learning from his grandmother Woodchuck, Gluskabe applies lessons that help shape the Wabanaki landscape and bring into balance all the forces affecting human life. These tales offer a window into the language and culture of the Penobscot people in the early twentieth century. In "Still They Remember Me," stories are presented in the Penobscot language and English side-by-side, coupled with illustrations from members of the tribal community. For the first time, these stories are accessible to a young generation of Penobscot language learners and scholars of Native American literatures at all levels, from grade school to graduate school.
The Methuen Drama Guide to Contemporary American Playwrights
Unrivalled in its coverage of recent work and writers, The Methuen Drama Guide to Contemporary American Playwrights surveys and analyses the breadth, vitality and development of theatrical work to emerge from America over the last fifty years. This authoritative guide leads you through the work of 25 major contemporary American playwrights, discussing more than 140 plays in detail. Written by a team of 25 eminent international scholars, each chapter provides: · a biographical introduction to the playwright's work; · a survey and concise analysis of the writer's most important plays; · a discussion of their style, dramaturgical concerns and critical reception; · a bibliography of published plays and a select list of critical works. Among the many Tony, Obie and Pulitzer prize-winning playwrights included are Sam Shepard, Tony Kushner, Suzan-Lori Parks, August Wilson, Paula Vogel and Neil LaBute. The abundance of work analysed enables fresh, illuminating conclusions to be drawn about the development of contemporary American playwriting.
American Gypsy
Presents a collection of plays which cover such topics as generational relationships, Native American legends, and Native American beliefs, and includes an essay on Native American playwriting.
Hoodoo Love
Up-and-coming dramatist Rajiv Joseph is an artist of original talent. --NY Times. Irresistibly odd and exciting...This darkly humorous drama is Rajiv Joseph's most satisfying work. --NY Daily News. This wondrous strange two-hander finds as much humor as
