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Essays by Frank Baron, Jan Bialostocki, Virginia W. Callahan, Thomas DaCosta Kaufmann, Lubomir Konecny, Carl Nordenfalk, Martin Ostwald, Charles Parkhurst, Elizabeth Sears, Karl-Ludwig Selig, Egon Verheyen, and Michael Vickers.
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems fol...
Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.
A collection of essays concerned with aspects of dramatic form in works by Shakespeare and his contemporaries.
The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.
This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.
This is a comprehensive reference work which surveys all aspects of the history of medicine, both clinical and social, and reflects the complementary approaches to the discipline. The editors have assembled an international team of scholars to provide detailed and informative factual surveys with contemporary interpretations and historiographical debate. Special Features * Comprehensive: 72 substantial and original essays from internationally respected scholars * Unique: no other publication provides so much information in two volumes * Broad-ranging: includes coverage of non-Western as well as Western medicine * Up-to-date: incorporates the very latest in historical research and interpretation * User-friendly: clearly laid out and readable, with a full index of Topics and People * Indispensable: essential information for study and research, including bibliographic notes and cross-referencing between articles.
Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.