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A literary event -- a new volume of poems by one of the masters of modern poetry -- The Rain in the Trees is W. S. Merwin's first book since the publication five years ago of his Opening the Hand. Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem -- so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech. The poems in this new book are concerned with intimacy and wholeness, and are made of the relations with people, with places, past and present, and with history and how the world endures it. Merwin can now rightfully be called a master, and this book shows in every way why this is the case.
US Poet Laureate W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. Bloodaxe published his Selected Poems in 2007. At 82, Merwin produced 'his best book in a decade - and one of the best outright' (Publishers Weekly), and a collection which has won him his second Pulitzer Prize in the US and a Poetry Book Society Recommendation in the UK. The nuanced mysteries of light, darkness, presence, and memory are central themes in his latest collection. 'I have only what I remember,' Merwin admits, and his memories are focused and profound-the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and 'our long evenings and astonishment'. In 'Photographer', Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by 'someone who understood'. In 'Empty Lot', Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can't help but ask: How shall we mine our lives?
Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.
Reintroduces the out-of-print works of one of this century's greatest American poets.
Restoring to print 400 pages of W.S. Merwin's enigmatic and gorgeous fables.
This ambitious and exuberant distillation of W.S. Merwin's vast poetic oeuvre presents the absolute best of the best.
Poet W. S. Merwin interweaves his own reminiscences with, "a chronicle of the lordly 12th-century bards who once ruled a world where kings were poets and poets kings."
New genius work from W.S. Merwin, considered "one of America's greatest living poets." -Washington Post
In luscious and purposeful language, W.S. Merwin s new poems examine our essential relationships with the natural world."
Merwin has created a special voice, unique in all of American poetry. It comes through in this selection Merwin has made from 10 of his previous books, beginning with "A Mask for Janus" and ending with "Opening the Hand." Other selections include "Lemuel's Blessing," "Air," "The River Bees," and "Fly." In "The Coin," considered to be one of his best poems, Merwin re-creates an entire fair, depicting tents, animals, flowers, and three turtledoves with a coin in the grain at the bottom of their cage. ISBN 0-689-11970-4: $22.95.