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The Slave in the Swamp
First Published in 2005. In 19th century plantation literature, the runaway slave in the swamp was a recurring bogey-man whose presence challenged myths of the plantation system. By escaping to the swamps with its wild and threatening connotations, the runaway gained an invisibility that was more threatening to the institution than open rebellion. In part, the proslavery plantation novel served to transform that image of the free slave in the swamp from its untouchable, abstract state to a form that could be possessed, understood, and controlled. Essentially, writers defending the institution would conjure forth the rebellious image in order to dispel it safely.
The End of the Mind
This book seeks to include among accounts of modern lyric poetry a theory of the poem's relation to the unintelligible. DeSales Harrison draws a distinction between sites of unintelligibility and sights of difficulty; while much has been said about modernist difficulty, little has been said about the attention that poets give to phenomena that by definition arrest, impede, obscure, damage, or destroy the capacity for intelligible representation.
Gender and Race in Antebellum Popular Culture
In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.
The Slave in the Swamp
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Authoring the Self
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.
Ethical Diversions
First Published in 2005. This study focuses on a group of related texts which have struggled to rescue, rather than eliminate, the paradox of answering the original question: Why ethics rather than nothing?
Narrative Mutations
Given the welcomed shift throughout the academy away from essentialist and biologically fixed understandings of "race" and the body, it is a curiosity worth exploring that so many sophisticated-and even radical-narratives retain physical and behavioral heredity as a guiding trope. The persistence of this concept in Caribbean literature informs not only discourses on race, ethnicity, and sexuality, but also conceptions of personal and regional identity in a postcolonial societies once dominated by slavery and the plantation. In this book, Rudyard Alcocer offers a theory of Caribbean narrative, accounting for the complex interactions between scientific and literary discourses while expanding the horizons of narrative studies in general. Covering works from Jean Rhys's Wide Sargasso Sea through contemporary fiction from the Hispanic Caribbean, Narrative Mutations analyzes the processes and concepts associated with heredity in exploring what it means to be "Caribbean."
The Fiction of Nationality in an Era of Transnationalism
The book focuses on the representation of South Asian life in works by four Anglophone writers: V. S. Naipaul, Salman Rushdie, Amitav Ghosh, and Anita Desai. Concentrating on the intertwined topics of nationalism, transnationalism, and fundamentalism, the book addresses the dislocation associated with these phenomena, offering a critical dialogue between these works and contemporary history, using history to interrogate fiction and fiction to think through historical issues. Despite all their differences, the works of these authors delineate the asymmetrical relations of colonialism and the aftermath of this phenomenon as it is manifested across the globe. The binary structures created by th...
Biblical Humor and Performance
What’s so humorous about the Bible? Quite a bit, especially if experienced with others! Nine biblical scholars explore their experiences of reading and hearing passages from the Bible and discovering humor that becomes clearer in performance. Each writer found clues in their chosen biblical text that suggested biblical authors expected an audience to respond with laughter. Performers have a powerful role in either bringing out or tamping down humor in the Bible. One audience may be more disposed to respond to humor than another. And each contributor found that experiencing humor changed the interpretation of the biblical passage. From Genesis to Revelation, this study uncovers the Bible’s potential for humor.
The Oxford Handbook of African American Language
Offers a set of diverse analyses of traditional and contemporary work on language structure and use in African American communities.
