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This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
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Volume 2 covers the 1830s, a period when Faraday pursued the consequences of his discovery of electromagnetic induction and revised entirely the theories of electrochemistry and the nature of electricity. His correspondents include scientists of the day as well as antiquaries, military men, artists and politicians.