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Durkheim, in his very role as a "founding father" of a new social science has become like a figure in an old religious painting, enshrouded in myth and encrusted in layers of thick, impenetrable varnish. This book undertakes detailed, up-to-date investigations of Durkheim's work in an effort to restore its freshness and reveal it as originally created. These investigations explore his particular ideas, within an overall narrative of his initial problematic search for solidarity, how it became a quest for the sacred, and how, at the end of his life, he embarked on a project for a new great work on ethics. A theme running through this is his concern with a modern world in crisis and a hope in social and moral reform. Accordingly, the book concludes with a set of essays on modern times and on a crisis that Durkheim thought would pass but which now seems here to stay.
Thorough and wide-ranging examination of the science of morals, reviving and defending the tradition of a scientific approach to ethics. Engages with recent debates on modernism and morality, demonstrating the contemporary relevance of Durkheim's ideas. This book is intended for social and political theory, philosophy of science and Durkheimian studies within sociology, philosophy and politics.
Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians’ engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim’s own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors—scholars from a range of theoretical orientations and disciplinary perspectives—are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.
This is the first collection of essays to be published on Durkheim's masterpiece The Elementary Forms of Religious Life. It represents the work of the most important international Durkheim scholars from the fields of anthropology, philosophy and sociology. The essays focus on key topics including: * the method Durkheim adopted in his study * the role of ritual and belief in society * the nature of contemporary religion The contributors also explore cutting-edge debates about the notion of the soul and collective rituals.
While the growth in both numbers and influence of Hispanics in North American Catholicism and Protestantism has been commented on widely, up until now there has been no systematic attempt to define a Hispanic theology. Roberto Goizueta, a Cuban-American theologian, aware that "Hispanic" and "Latino" can be terms imposed artificially on diverse peoples, finds a common link in the Spanish language and in a shared culture. Central to this culture is the experience of exile, of being a people at the margins of a society, who must find and make their way together. Central also is faith, and its grounding in this experience of being in exile. In delineating the very particular nature and worldview...
Jack Crittenden's excellent new study looks behind the modern democratic rhetoric to reveal a system of government that excludes citizens from participating directly in decision making. The book combines a thorough examination of the rhetorical underpinnings of democratic education with radical solutions for overhauling a system of civic education that dates back to the Founding Fathers.
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Emile Durkheim's work on religion occupies a central place in religious studies classrooms today. This volume is designed as a resource for teachers, offering practical advice about productive ways to approach central texts and difficult pedagogical issues.
Modern biblical scholarship is often presented as analogous to the hard and natural sciences; its histories present the developmental stages as quasi-scientific discoveries. That image of Bible scholars as neutral scientists in pursuit of truth has persisted for too long. Modern Biblical Criticism as a Tool of Statecraft (1700-1900) by Scott W. Hahn and Jeffrey L. Morrow examines the lesser known history of the development of modern biblical scholarship in the eighteenth and nineteenth centuries. This volume seeks partially to fulfill Pope Benedict XVI’s request for a thorough critique of modern biblical criticism by exploring the eighteenth and nineteenth century roots of modern biblical ...