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Laudo multidisciplinar em conflito socioambiental
O livro apresenta uma prática de pesquisa, ensino e extensão, realizada a partir de 2002 e revisitada quase duas décadas depois, agora em sua segunda edição. Envolve um diálogo entre ciências exatas e ciências humanas, com contribuições da biologia, direito, engenharia agrícola, geografia e sociologia. O pioneirismo do empreendimento, que pode ser sintetizado no Laudo Interdisciplinar em Conflito Socioambiental, revela o esforço para compreender as múltiplas dimensões de um conflito agrário-ambiental.
Direito, Mito e Sociedade
O mundo passa por um período pandêmico, que exige de todos a reinvenção do “modus operandi” acadêmico: aulas remotas, comunicação virtual, encontros à distância por meio de recursos da internet e reelaboração do material de leitura e estudos. Além disso, e apesar disso, ainda há outras frentes de luta contra movimentos explicitamente antidemocráticos, negacionistas e perversos. Em muitos lugares do mundo se verificam grupos sabidamente neofascistas, autoritários. No Brasil, tais grupos atentam diuturnamente contra os valores democráticos e constitucionais. Por isso mesmo, resolvemos rever, reler, corrigir, readequar e reorganizar muitos textos já publicados anteriormente...
Cadernos anti-cárcere: estudos em homenagem ao professor Alfredo Dolcino Motta
Cadernos anti-cárcere: estudos em homenagem ao professor Alfredo Dolcino Motta apresenta 25 estudos específicos sobre criminologia crítica, pautando temas importantes como o abolicionismo penal, a violência policial, a desigualdade social em juízo, além de causas e fatores da criminalidade, inclusive a ditadura militar e as guerras contemporâneas
Incerteza viva
Sixteen artists from 9 countries created works of art inspired by ecology and the environment that were specifically developed for the exhibition, in dialogue with the MAMBO curatorial team. Most of the artistic projects were specially commissioned for the 32nd São Paulo Biennial. "Incerteza viva is a collective process that began in early 2015 and brings together teachers, students, artists, activists, educators, scientists and thinkers in Brazil, Colombia and other places." --Page [1].
Iraçéma, the Honey-Lips
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Genealogies of Religion
In Geneologies of Religion, Talal Asad explores how religion as a historical category emerged in the West and has come to be applied as a universal concept. The idea that religion has undergone a radical change since the Christian Reformation—from totalitarian and socially repressive to private and relatively benign—is a familiar part of the story of secularization. It is often invokved to explain and justify the liberal politics and world view of modernity. And it leads to the view that "politicized religions" threaten both reason and liberty. Asad's essays explore and question all these assumptions. He argues that "religion" is a construction of European modernity, a construction that authorizes—for Westerners and non-Westerners alike—particular forms of "history making."
Diario Oficial
Laws, decrees, and administrative acts of government.
The Women of Tijucopapo
Marilene Felinto is one of a new wave of young Brazilian writers, and her work is among the very best. Born in 1957 in the northeast of Brazil, she moved to São Paulo in early adolescence and completed her university education there. Her fiction connects the striking contrasts of a young woman's experience and the cross-purposes of modern Brazil. In The Women of Tijucopapo nothing can be taken for granted since everything might be taken away. Risia is a heroine little interested in being heroic All she wants is for her life "to have a happy ending." To find it she must go back to Tijucopapo, where her mother was born. One moonlit night her grandmother gave away a baby, and that baby was Ris...
My Brother, the Pest
He messes up games. He draws on the wall. He won't take turns, and he won't share. That little kid is nothing but a big pest!
