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At the Temple of Art
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
British and Irish Paintings in Public Collections
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
The Artistic Anatomy of Trees, Their Structure & Treatment in Painting
Examines the scientific development of trees, branches, and flowers, and describes methods of capturing their vitality in paintings and sketches
Impressionism in Britain
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Br...
The Yellow Book
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Mere Sentiment
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