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Bar Mitzvah, a History
"Published by the University of Nebraska Press as a Jewish Publication Society book."
Visualizing Africa in Nineteenth-Century British Travel Accounts
This study provides the first sustained analysis of the process by which images of Africa were transformed into the illustrations of the continent that appeared in nineteenth-century European travel books. Koivunen examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated.
The History of Oxford University Press
The history of Oxford University Press spans five centuries of printing and publishing. This fourth volume explores the Press's modern history as an unsubsidized business with significant educational and cultural responsibilities, and how it maintained these through economic turbulence, political upheaval, and rapid technological innovation.
Lark Rise
Lark Rise By Flora Thompson The last words are true of the hamlet of Lark Rise. Because they were still an organic community, subsisting on the food, however scanty and monotonous, they raised themselves, they enjoyed good health and so, in spite of grinding poverty, no money to spend on amusements and hardly any for necessities, happiness. They still sang out-of-doors and kept May Day and Harvest Home. The songs were travesties of the traditional ones, but their blurred echoes and the remnants of the old salty country speech had not yet died and left the fields to their modern silence. The songs came from their own lips, not out of a box.
Cake & Cockhorse
None
The History of Oxford University Press: Volume IV
The story of Oxford University Press spans five centuries of printing and publishing. Beginning with the first presses set up in Oxford in the fifteenth century and the later establishment of a university printing house, it leads through the publication of bibles, scholarly works, and the Oxford English Dictionary, to a twentieth-century expansion that created the largest university press in the world, playing a part in research, education, and language learning in more than 50 countries. With access to extensive archives, the four-volume History of OUP traces the impact of long-term changes in printing technology and the business of publishing. It also considers the effects of wider trends ...
Broken Idols of the English Reformation
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
The Bishop's Council
Reprint of the original, first published in 1867.
