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Peripheries at the Centre
Following the Treaty of Versailles, European nation-states were faced with the challenge of instilling national loyalty in their new borderlands, in which fellow citizens often differed dramatically from one another along religious, linguistic, cultural, or ethnic lines. Peripheries at the Centre compares the experiences of schooling in Upper Silesia in Poland and Eupen, Sankt Vith, and Malmedy in Belgium — border regions detached from the German Empire after the First World War. It demonstrates how newly configured countries envisioned borderland schools and language learning as tools for realizing the imagined peaceful Europe that underscored the political geography of the interwar period.
Ends of War
None
Carbon Cycling in the Baltic Sea
The Baltic Sea is an area extensively explored by the oceanographers. Hence it is one of the most often described marine areas in the scientific literature. However, there are still several fields which are poorly investigated and reported by scientists. One of them is the carbon cycle of the Baltic Sea. Although it is believed the shelf seas are responsible for about 20% of all marine carbon dioxide uptake, while they constitute only 7% of the whole sea surface, still a scientific debate exists on the role of the Baltic Sea in the global carbon cycle. “Carbon cycle of the Baltic Sea” is intended to be a comprehensive presentation and discussion of state of the art research by biogeochemists involved in the Baltic Sea carbon cycle research. This work presents both qualitative and quantitative descriptions of the main carbon flows in the Baltic Sea as well as their possible shifts induced by climatic and global change.
The Coming Spring
Zeromski's last novel tells the story of Cezary Baryka, a young Pole who finds himself in Baku, Azerbaijan, a predominantly Armenia city, as the Russian Revolution breaks out. He becomes embroiled in the chaos caused by the revolution, and barely escapes with his life. Then, he and his father set off on a horrendous journey west to reach Poland. His father dies en route, but Cezary makes it to the newly independent Poland. Here he struggles to find his place in the turmoil of the new country. Cezary sees the suffering of the poor and the working classes, yet his experiences in the newly formed Soviet Union make him deeply suspicious of socialist and communist solutions. Cezary is an outsider among both the gentry and the working classes, and he cannot find where he belongs. Furthermore, he has unsuccessful and tragic love relations. The novel ends when, despite his profound misgivings, he takes up political action on behalf of the poor.
Media Events in a Global Age
"This volume assembles an estimable range of critical analyses of one of the most important mediated artifacts of the modern world—the media event. The authors challenge the construct, extend its usefulness, expand its theoretical basis and application, and examine media events in a far larger and richer context than ever before. Students of global media today are well served by this superb collection of essays." David Morgan, Duke University, USA "A welcome and worthy successor to Dayan and Katz’s path-breaking study that expands and enriches the discourse on global media events." Daya Thussu, University of Westminster, UK "This is an excellent collection, that will enable new kinds of ...
Who was David Weiser?
During the sweltering summer of 1957 in Gdansk, three boys and a girl fall under the spell of a mysterious classmate, David Weiser. A thin Jewish boy of few words, Weiser can hypnotize panthers, shoot a bullet through a Hitler stamp at a hundred meters, and even levitate. After staging a spectacular explosion with a hidden cache of old German munitions, Weiser and the girl, Elka, vanish without a trace, leaving the three other boys, including Pawel Heller - the novel's narrator - to explain his disappearance to the authorities. But the boys won't talk. What happened to David Weiser? And who was he - a demon, a prophet, or just a boy? Heller's quest for the answers to these questions makes for a beguiling and haunting tale.
Necroperformance
La 4e de couverture indique : "Dorota Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, and delves into repressed areas of experience connected with World War I and the ensuing emancipatory movements. The book shows that underpinning modern Polish nationhood, is both a romantic myth of independence and a horror of fratricidal war. Searching for traces of memory in precarious bodies inflicted with the violence of war, Necroperformance asks us to acknowledge the fragility of life as it actively reinforces an attitude of respect for the right to live. Sajewska's chief objective is to understand the social impact of remains - of the abject body (dead, wounded, disfigured, despoiled by violence) - its place in culture and its agency. These are remains like the body of Rosa Luxemburg, which opens the book's narrative - a woman, a Jew, a Polish-German communist activist who was imprisoned, persecuted, murdered, and desecrated after death. This alternative archive becomes a basis for thought on a new anthropology rooted in the experience of the Great War and recorded in the formule of modern theatre."
