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From 1727, when Johann Sebastian Bach turned to Bernhard Christoph Breitkopf for a printed text sheet for his "Trauer-Ode" (Cantata 198), to 1787, when Carl Philipp Emanuel Back engaged Bernhard's son, Johann Gottlob Immanuel, to print the last volume of his Clavier-Sonaten für Kenner und Liebhaber, the Bachs and the Breitkopfs enjoyed close professional ties—ties born of the growing trade in the eighteenth century between music composers and music printers. The Breitkopf firm, which began in 1719 as a book-printing operation, gradually became one of the most important publishing houses in central Europe. It owned an extensive inventory of music manuscripts, from which copies could be pro...
One of the most popular concertos ever written, and one of the most recognizable of all musical works in the standard repertoire. Deeply romantic, it is filled with great melodic inspiration.
Two well-known, frequently performed standards of the violin repertoire, now in one convenient, authoritative volume for musicians and music lovers.
Reprint of the ed. published between 1874-1877 by Breitkopf & Heartel, Leipzig under title: Feur Pianoforte allein.
One of the most frequently performed of all oratorios, filled with compelling drama and rich musical symbolism. Reprinted from an authoritative German edition, with German and English texts.
One of the most frequently performed of all oratorios, filled with compelling drama and rich musical symbolism. Reprinted from an authoritative German edition, with German and English texts.
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Three charming, melodious works by Norway's most celebrated composer: Op. 8, F major; Op. 13, G major; and Op. 45, C minor. Convenient, authoritative collection for intermediate- to advanced-level violinists and pianists unites three works only available separately elsewhere.
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