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While the Battle of Berlin in 1945 is widely known, the horrific story of the Halbe Kessel remains largely untold. In April 1945, victorious Soviet forces encircled 80,000 men of the German 9th Army in the Halbe area, South of Berlin, together with many thousands of German women and children. The German troops, desperate to avoid Soviet capture, battled furiously to break out towards the West, where they could surrender to the comparative safety of the Americans. For the German civilians trapped in the Kessel, the quest to escape took on frantic dimensions, as the terror of Red Army brutality spread. The small town of Halbe became the eye of the hurricane for the breakout, as King Tigers of ...
Wolfgang Faust was the driver of a Tiger I tank with the Wehrmacht Heavy Panzer Battalions, seeing extensive combat on the Eastern Front in 1943-45. This memoir was his brutal and deeply personal account of the Russian Front's appalling carnage. Depicting a running tank engagement lasting for three days, Faust describes how his Tiger unit fought pitched battles in the snows of western Russia against the full might of the Red Army: the T34s, Stalin tanks, Sturmovik bombers and the feared Katyusha rocket brigades. His astonishing testimony reveals the merciless decisions that panzer crews made in action, the devastating power of their weaponry, and the many ways that men met their deaths in th...
A fictional re-creation of how it was to taste the blood, sweat and tears of France in 1944.
A richly illustrated memoir by highly decorated Wehrmacht soldier—“recommended to anyone with an interest in the Panzerwaffe in the Second World War” (Recollections of WWII). After serving as a gunlayer on a Pz.Mk.III during Barbarossa, Richard Freiherr von Rosen led a Company of Tigers at Kursk. Later he led a company of King Tiger panzers at Normandy and in late 1944 commanded a battle group (12 King Tigers and a flak Company) against the Russians in Hungary in the rank of junior, later senior lieutenant (from November 1944, his final rank.) Only 489 of these King Tiger tanks were ever built. They were the most powerful heavy tanks to see service, and only one kind of shell could pen...
The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greaterknowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature.David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice toarchaism or over-modern idiom. It is as near an `equivalent' rendering of the German as has been achieved.
Goethe fue un poeta, novelista, dramaturgo y cientifico aleman que ayudo a fundar el romanticismo, movimiento al que influencio profundamente. En palabras de George Eliot fue el mas grande hombre de letras aleman... y el ultimo verdadero hombre universal que camino sobre la tierra. Su obra, que abarca generos como la novela, la poesia lirica, el drama e incluso controvertidos tratados cientificos, dejo una profunda huella en importantes escritores, compositores, pensadores y artistas posteriores, siendo incalculable en la filosofia alemana posterior y constante fuente de inspiracion para todo tipo de obras."
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In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the...