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Studies in Memory of Issai Schur
This volume Studies in Memory of Issai Schur was conceived as a tribute to Schur's of his tragic end. His impact on great contributions to mathematics and in remembrance of mathematicians Representation Theory alone was so great that a significant number of Researchers (TMR) Network, in the European Community Training and Mobility Orbits, Crystals and Representation Theory, in operation during the period (1997-2002) have been occupied with what has been called Schur theory. Consequently, this volume has the additional purpose of recording some of the significant results of the network. It was furthermore appropriate that invited contributors should be amongst the speakers at the Paris Midterm Workshop of the network held at Chevaleret during 21-25 May, 2000 as well as those of the Schur Memoriam Workshop held at the Weizmann Institute, Rehovot, during 27-31 December 2000. The latter marked the sixtieth anniversary of Schur's passing and took place in the 125th year of his birth.
IN THE LIGHT OF THE ELECTRON MICROSCOPE IN THE SHADOW OF THE NOBEL PRIZE
ENGLISH Nearly ninety and still in surprisingly good condition. Like no other research tool the electron microscope by the brothers Ernst and Helmut Ruska and their brother-in-law Bodo von Borries marks the dawn of modernity. Their avant-garde idea of 1931 to examine under a microscope with electrons has expanded human vision until today. The world's first commercial overmicroscope for discoveries in the world of the smallest followed in Berlin 1939. 1948 the German development and application of overmicroscopy was revived in Düsseldorf. As a key instrument of research it has completed a triumphant march and it has won the attention of the Nobel Prize Committee for awards twice. 1986 the No...
Empresses-in-Waiting
Empresses-in-Waiting comprises case studies of late antique empresses, female members of imperial dynasties, and female members of the highest nobility of the late Roman empire, ranging from the fourth to the seventh centuries AD. Situated in the context of the broader developments of scholarship on late antique and byzantine empresses, this volume explores the political agency, religious authority, and influence of imperial and near-imperial women within the Late Roman imperial court, which is understood as a complex spatial, social, and cultural system, the centre of patronage networks, and an arena for elite competition. The studies explore female performance and representation in literar...
Africa and Byzantium
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders northern and eastern Africa’s contributions to the development of the premodern world and offers a more complete history of the region as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.
Ravenna and the Traditions of Late Antique and Early Byzantine Craftsmanship
In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.
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Give Me the Now
Rudolf Zwirner, “the man who invented the art market,” as coined in Der Spiegel, reflects on more than sixty years in the art business in his authoritative autobiography. “Americans now see Germany as a natural breeding ground for mighty gallerists and collectors, but Rudolf Zwirner’s fascinating new memoir walks us through the decades it took to rebuild an art world shattered by World War II. In this dealer’s charming telling, however, the work involved sounds more like play than labor.” —Blake Gopnik, author of Warhol An art dealer of the ages, Rudolf Zwirner, father of the esteemed gallerist David Zwirner, reached many milestones in his career. From cofounding Art Cologne, t...
Dictionary of African Biography
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
