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Music for a Mixed Taste
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.
Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre
A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson‘s Pi‘s de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his...
Rethinking J.S. Bach’s Musical Offering
J.S. Bach’s Musical Offering is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering’s structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at ...
Music in the London Theatre from Purcell to Handel
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).
The Gentle Giant
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Alexander Pope in the Making
Explores Alexander Pope's early career as a literary author, and provides a transformative account of the eighteenth century poet.
Lutheran Music Culture
This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
Twelve Trios
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The Reformation
The papers in this volume are less a commemoration of the Reformation than a discussion of its meaning in the era after 2017. What is celebrated in 2017 is not the Reformation as such, but the beginning of the Reformation. It was the dynamics of the "new" theology of Luther and Calvin that caused a radical change with global effects. Reformation is not just an historical event but an ongoing movement of renewal and change. The message of the Reformation constantly challenges us to think through positions, actions, attitudes, and programs. This book presents contributions from eleven experts from all over Europe, who deal with their various topics on the conviction that the essence of Luther's theology does not need to be adapted to make it relevant. The papers originated at the 2016 conference of the Fellowship of European Evangelical Theologians, which was held in Lutherstadt Wittenberg.
The Harvard Biographical Dictionary of Music
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.
