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Schumann
  • Language: en
  • Pages: 396

Schumann

  • Type: Book
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  • Published: 1985
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  • Publisher: UPNE

After obtaining access to long-sought-after archival material about the final years of Robert Schumann, Lise Deschamps Ostwald, the author's widow, is finally able to detail the composer's last years at the mental institution in Endenich, fulfilling her husband's original intent "Schumann is a remarkable piece of work...Soberly and objectively, it unearths information that no previous Schumann researcher--in English at least--has come near duplicating."--Harold C. Schonberg, The New York Times Book Review "Peter Ostwald, a San Francisco psychiatrist who is also a trained musician, has dug deeply...and applied his professional knowledge to the fashioning of a fascinating, perceptive psychobiography of the nineteenth-century Romantic master."--Arthur Hepner, Boston Globe "Ostwald...offers new insights into one about whom the musical world has never ceased wondering."--Robert Commanday, San Francisco Chronicle --Book Jacket.

The Songs of Johanna Kinkel
  • Language: en
  • Pages: 306

The Songs of Johanna Kinkel

Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.

Robert Schumann
  • Language: en
  • Pages: 322

Robert Schumann

Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.

Marchesi and Music
  • Language: en
  • Pages: 346

Marchesi and Music

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The Rhine from Its Source to the Sea
  • Language: en
  • Pages: 512

The Rhine from Its Source to the Sea

  • Type: Book
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  • Published: 1878
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  • Publisher: Unknown

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From My Life
  • Language: en
  • Pages: 457

From My Life

From My Life, the autobiography of the famed music critic Eduard Hanslick, appeared toward the end of his life, in 1894, when it went through three printings. It was republished in 1911, and again, more recently, in 1987, by Bärenreiter, and in 2011, by Taschenbuch. Born in Prague, Hanslick studied piano with Tomaschek, and though, like other compatriots and contemporaries, he studied law and became a government functionary, he went on to become the most noted and honored music critic in nineteenth-century Vienna, making his mark with his relatively brief disquisition On the Musically Beautiful, first issued in 1854. In the Brahms-Wagner controversy, he was on the side of the former, and was the target of Wagner’s vicious anti-semitism, even though he had been among the first to champion Wagner’s work in Vienna. His long and informative autobiography has never appeared in complete translation to English or any other language.

Good Words
  • Language: en
  • Pages: 900

Good Words

  • Type: Book
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  • Published: 1893
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  • Publisher: Unknown

None

Heine the Tragic Satirist
  • Language: en
  • Pages: 330

Heine the Tragic Satirist

This 1961 book presents a full-length study of the later works of Heine, relating to Heine's life the underlying themes in his poetry.

Schumann
  • Language: en
  • Pages: 390

Schumann

Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Du...

The Cambridge Companion to Women Composers
  • Language: en
  • Pages: 375

The Cambridge Companion to Women Composers

Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.