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Feminist Television Criticism: A Reader
Covers the area of feminist media criticism. This edition discusses subjects including, alternative family structures, de-westernizing media studies, industry practices, "Sex and the City", Oprah, and "Buffy."
Female Spectators
Feminist thinking on cinema has been dominated by approaches which emphasize how meanings are produced in films, and how this process hinges on sexual differences and prileges the masculine. The essays in this collection have been written by feminist film-makers and theorists on both sides of the Atlantic. Together, they provide a picture of feminist film criticism in teh 1980s, perspective readings of individual films and TV programs, and insights from women in the business of making films today.--Adapted from book jacket.
Gender and Early Television
"Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television , Sarah Arnold traces women's relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the 'golden age' of television in the 1950s. Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as 'television girls'. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women's role in television, through her analysis, Arnold argues that it has not always been the case."--
Invisible Stars
Invisible Stars was the first book to recognize that women have always played an important part in American electronic media. The emphasis is on social history, as the author skillfully explains how the changing role of women in different eras influenced their participation in broadcasting. This is not just the story of radio stars or broadcast journalists, but a social history of women both on and off the air. Beginning in the early 1920s with the emergence of radio, the book chronicles the ambivalence toward women in broadcasting during the 1930s and 1940s, the gradual change in status of women in the 1950s and 1960s, the increased presence of women in broadcasting in the 1970s, and the su...
Gender and Early Television
The way we watch television is changing. While consumption of traditional broadcast television is going down, consumption of non-traditional platform television--including subscription viewing, box-set series and online streaming--is going up. This is the first study to consider the ways in which recent technologies of television can be understood in terms of the gendering of audiences. Taking a viewer-based approach, Sarah Arnold shows how old claims that television is a female medium are now being called into question, due to changes in the spatial practices of viewing and developments in content. Though film has commonly been characterised as 'masculine' and television 'feminine', this paradigm is now being complicated and challenged. This timely book offers important critical insight into current intersections between gender, television consumption and technology.
Television, History, and American Culture
In less than a century, the flickering blue-gray light of the television screen has become a cultural icon. What do the images transmitted by that screen tell us about power, authority, gender stereotypes, and ideology in the United States? Television, History, and American Culture addresses this question by illuminating how television both reflects and influences American culture and identity. The essays collected here focus on women in front of, behind, and on the TV screen, as producers, viewers, and characters. Using feminist and historical criticism, the contributors investigate how television has shaped our understanding of gender, power, race, ethnicity, and sexuality from the 1950s t...
Television and Women's Culture
In this book an international team of contributors examines critically the relationship between television and women's culture. Although they recognize that television frequently distorts and oppresses women's experience, the authors avoid a simplistic manipulative view of the media. Instead they show how and why such different genres as game shows, police fiction and soap opera offer women opportunities for negotiation of their own meanings and their own aesthetic appreciation. Not for sale in Australia or New Zealand.
Enterprising Women
Having ninety percent of its members who are women, this is a study of the worldwide community of fans of "Star Trek" and other genre television series who create and distribute fiction and art based on their favorite series. This community includes people from various walks of life - housewives, librarians, and professors of medieval literature
The Warrior Women of Television
The Warrior Women of Television examines contemporary representations of the female action hero in three series: La Femme Nikita, Aeon Flux, and Buffy the Vampire Slayer. Detailed readings focus on the ways the structure and content of each series work to create specific understandings of the body that are in contrast to those of male-centered action texts. Arguing that television texts mediate larger cultural concerns, this book considers the feminist implications of the series and uses insights from critical writings on contemporary culture and the body to discuss the ways the female hero functions as a potent contemporary cultural symbol.
