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Anarchism
“‘Whoever denies authority and fights against it is an anarchist,’ said Sebastien Faure. The definition is tempting in its simplicity, but simplicity is the first thing to guard against in writing a history of anarchism. Few doctrines or movements have been so confusedly understood in the public mind, and few have presented in their own variety of approach and action so much excuse for confusion.” These are the opening sentences of this book, which brilliantly effaces confusion by providing a critical history of anarchist thought and practice. Mr. Woodcock traces the development of anarchism from its earliest appearances, and the rise and fall of anarchism as a movement aiming at pra...
Anarchism
Also includes information on anarcho-syndicalism, Michael Bakunin, Bakuninism, Louis-Auguste Blanqui, Blanquism, Paul Brousse, Carlo Cafiero, Guiseppe Fanelli, Sebastien Faure, Mohandas Gandhi, Giuseppe Garibaldi, William Godwin, Emma Goldman, James Guillaume, Peter Kropotkin, Errico Malatesta, Karl Marx, Marxism, Guiseppe Mazzini, William Morris, pacifism, Pierre-Joseph Proudhon, Elisee Reclus, Spanish Civil War, Max Stirner, Leo Tolstoy, utopias and utopianism, Gerrard Winstanley, etc.
Anarchism
"The essential introduction to the classical anarchist thinkers." - Mark Leier, Simon Fraser University
A Political Art
None
The Doukhobors
None
George Woodcock
For the student and general reader.
The Crystal Spirit
There is so much more to Orwell than just his books, impressive though they are.
Oscar Wilde
The author of four truly important novels--The Recognitions in 1955, J R in 1975, Carpenter's Gothic in 1985, and A Frolic of His Own in 1995--William Gaddis is considered by many literary scholars to be one of the most outstanding novelists of the twentieth century, to be spoken of in the same breath as James Joyce, Robert Musil, and Thomas Pynchon. Hints and Guesses: William Gaddis's Fiction of Longing is the first scholarly work to discuss all four Gaddis novels. While not dismissing the inclination of many scholars to view Gaddis's fiction as postmodern, Christopher Knight moves critical response in another direction, toward a discussion of Gaddis's significance as a satirist and social critic. Knight investigates Gaddis's predominant thematic interests, including those of contemporary aesthetics, Flemish painting, forgery, corporate America, Third World politics, and the U.S. legal system. What Knight finds is an author not only acutely sensitive to post-war social realities but also one whose critique carries with it an implied utopian dimension.
