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News
News of the gallery's New York and Santa Fe branches as well as its partnership in Pillsbury & Peters Fine Art, Dallas.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Never a Dull Moment
Extraordinary people lead extraordinary lives and, from the beginning, even before he had any control over his life, John Meigs’ life was extraordinary: kidnapped by his father, never to see his mother again. Once on his own, he tried his hand as a reporter in Los Angeles in 1936, and then in Honolulu, where he got drawn into the art world, becoming one of the original designers of the Hawaiian aloha shirts. Those pursuits were interrupted with the onset of World War II and John’s enlistment in the Navy. After a serendipitous escape of death and military duty in Florida, John returned to Hawaii, where he met New Mexico artist Peter Hurd. That encounter led John to New Mexico and to inter...
Collector's Guide
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
Talking Up a Storm
In interviews with fifteen contemporary writers of the American West, Gregory L. Morris demonstrates what these widely divergent talents have in common: they all redefine what it is to be a western writer. No longer enthralled (though sometimes inspired) by the literary traditions of openness, place, and rugged individualism, each of the writers has remained true to the demand for clarity, strength, and honesty, virtues sustained in their conversations. Morris talks with Ralph Beer, Mary Clearman Blew, Elizabeth Cook-Lynn, James Crumley, Ivan Doig, Gretel Ehrlich, Richard Ford, Molly Gloss, Ron Hansen, John Keeble, William Kittredge, David Long, Thomas McGuane, Amy Tan, and Douglas Unger. Their lives and fiction stretch from Montana to Texas, from ranches to universities, from sea level to mountain slopes.
ABA Journal
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
Postwestern Cultures
Synthesizes topics of contemporary scholarship of the American West. This work examines subjects ranging from the use of frontier rhetoric in Japanese American internment camp narratives to the emergence of agricultural tourism in the New West to the application of geographer J B Jackson's theories to vernacular or abandoned western landscapes.
Art in America
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Art in America
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The Majesty of the Grand Canyon
Little was known about America's most famous natural wonder until 1869, when John Wesley Powell traveled the full length of the Grand Canyon by boat. He returned each year; in 1873 he introduced it to artist Thomas Moran, whose brazenly colored, grand scale portrayals of the canyon stunned the public. In 1908, Moran's work prompted President Theodore Roosevelt to declare the Grand Canyon a national monument; by 1919, Congress had established Grand Canyon National Park.As the Santa Fe Railway opened up the Southwest, in 1892 the company began hiring artists to paint scenes of the Grand Canyon, including Moran, W. R. Leigh, and Louis Akin. Today, artists are still capturing the splendor of the Grand Canyon: Ed Mell, Clark Hulings, Wilson Hurley, Frank Mason, P. A. Nisbet, Bruce Aiken, and Earl Carpenter are among the contemporary artists represented in The Majesty of the Grand Canyon.
