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Legendary publisher and writer John Calder said of Barbara Wright that she was "the most brilliant, conscientious and original translator of 20th century French literature." Wright introduced to an English-speaking readership and audience some of the most innovative French literature of the last hundred years: a world without Alfred Jarry's Ubu, Raymond Queneau'sZazie, and Robert Pinget's Monsieur Songe scarcely bears thinking about. This wonderful collection of texts about and by Barbara Wright—including work by David Bellos, Breon Mitchell, and Nick Wadley, as well as a previously unpublished screenplay written and translated by Wright in collaboration with Robert Pinget—begins the work of properly commemorating a figure toward whom all of English letters owes an unpayable debt.
The summer of 1898 is filled with ups and downs for 11-year-old Moses. He's growing apart from his best friend, his superstitious Boo-Nanny butts heads constantly with his pragmatic, educated father, and his mother is reeling from the discovery of a family secret. Yet there are good times, too. He's teaching his grandmother how to read. For the first time she's sharing stories about her life as a slave. And his father and his friends are finally getting the respect and positions of power they've earned in the Wilmington, North Carolina, community. But not everyone is happy with the political changes at play and some will do anything, including a violent plot against the government, to maintain the status quo. One generation away from slavery, a thriving African American community—enfranchised and emancipated—suddenly and violently loses its freedom in turn-of-the-century North Carolina when a group of local politicians stages the only successful coup d'etat in US history.
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Cressida loves Greek mythology, tales of gods and monsters, but she knows they aren’t real no matter how awesome it would be to meet the beautiful women of myth. When her aunt June disappears, Cressida realizes the other members of her family aren’t so rational. June’s notes point to a possible entrance to the fabled Underworld before they cut off completely. Following June’s footsteps leads Cressida into a world she knew only as legend, a place of marvels and danger, where the living are highly prized by the dead. Desperate, Cressida turns to Medusa, a demigoddess who’s been maligned by myth, but everything in the Underworld comes with a price. Medusa is more than willing to help find June, and all it will cost Cressida is one little murder.
Like heroes from an ancient tale, Aesa and Maeve plan to raid foreign shores, claiming gold and glory for their homeland. Young and in love, neither considers what will happen if one is chosen to be a warrior and the other is left behind. On a mist-shrouded island, Aesa meets Ell, a woman enslaved by an insidious curse. Maeve walks the path of dark magic and finds Laret, a woman well acquainted with pain. Together, they must break the magic surrounding Ell, an act that will force them to choose between their dreams, their homes, and the women they love.
Humorous dream fantasy in which a Duke keeps changing identity as he travels effortlessly through French history.
Lady Sylph’s only concerns should be inheriting her title, marrying well, producing an heir, and lording it all over the peasantry. It’s what her father insists upon, and she never knew she needed anything or anyone else until her magic comes, an ability her class is not supposed to possess. Thana never coveted the title of monarch’s pyradisté because her knowledge exceeds her ability. She hopes the royals will never depend on her, but then the palace’s pyramids go haywire. On top of that, a beautiful, spoiled noblewoman needs her help to conceal a new power. Could Sylph’s ability and Thana’s magical mystery be related to a new kind of crystal being smuggled into the kingdom or a possible pyradisté coup? They’ll have to work together and overcome their biases, admit their feelings, and maybe surrender to their fierce desire before time runs out.
Harold Bell Wright (1972-1944) authored eighteen major works between 1903 and 1942. Although mostly forgotten or ignored after the middle of the 20th century, he is said to have been the first American writer to sell a million copies of a novel.
Judit has one duty: to guard the chosen one, he who will unite two warring, star-spanning houses in marriage. Simple, if she wasn’t already in love with the bride-to-be. As far as anyone knows, Annika has been raised to be the perfect bride and future matriarch. Secretly, she’s an assassin ordered to usurp the chosen one’s mind and kill anyone who gets in her way. When the political landscape shifts, murders and abductions threaten to tear the galaxy apart. Judit and Annika race to uncover the source of the strife. It must be someone powerful and bold enough to risk throwing whole star systems into ruin, someone who could change destinies and bring two lovers together, if they survive.