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Investigating the complex history of visual art?s engagement with literature, this collection demonstrates that the art of the book is a fully interdisciplinary and distinctly modern form. The essays in the collection develop new critical approaches to the analysis of twentieth-century bookworks and explore ways in which European writers and painters challenged the boundary between visual and linguistic expression in the content, production, and physical form of books. The Art Book Tradition in Twentieth-Century Europe offers a detailed examination of word-image relations in forms ranging from the livre d?artiste to personal diaries and almanacs. It analyzes innovative attempts to challenge familiar hierarchies between texts and images, to fuse different expressive media, and to reconceptualize traditional notions of ekphrasis. Giving consideration to the material qualities of books, the works discussed in this collection also test and celebrate the act of reading, while locating it in the context of other sensory experiences. Essays examine works by Dufy, Matisse, Beckett, Kandinsky, Braque, and Ponge, among other European artists and writers active during the twentieth century.
This publication aims to reconfirm the creative role of the publisher as a conduit for culture built upon the knowledge and experience of the past, as well as to explore the publishers' new role, and legal protection of the publishers' rights, in our evolving digital and information-based society. - Publisher's Rights: The Legal Expression of the Creative Role of the Publisher - Electronic Copyright Management Systems - Value Innovation on the Network - Partners' Perspectives - Asian Experiences - Trading by Electronic Copyright Management Systems - Enforcement of Rights - Conclusion, Recommendations or Resolutions.
Stephanie Kurschus analyses the idea of a common "European" book culture that integrates the book market as an essential aspect and employs book promotion as balancing instrument. Characteristics of book culture are identified; the resultant concept of book culture provides an overview of the values and myths ascribed to the book. Furthermore, applied book promotion measures are analyzed for their effectiveness and best practice models. Since, in a context determined by culture and market, preservation and innovation, book promotion fulfills two functions: it is to protect the unique national characteristics of book culture as well as to support its continuous development. To adapt and to advance within a changing environment is critical to the survival of book culture in the digital reality.
Provides an international strategic forum for the parties involved in the role of information in science and society. This book deals with the structural changes in the information and value chains. It looks at issues of language, culture, education, finance, technology, and matters that have an impact on the outreach of scientific communication.
In 1975, Peter Weidhaas was elected as the Director of The Frankfurt Book Fair. It was a surprise choice. Little did he know that he would preside over revolutionary changes in one of the most important cultural expositions in the world. But first he had to answer the question of his own identity. Born in 1938, Weidhaas was forced to confront the horrors of his German past, to live and learn through the tumultuous events on 1968, and finally to find his own place among the leading lights of the literary world. He held the reins at the Frankfurt Book Fair during every major cultural shift of the last quarter of the 20th century: from the explosion of world literature to the collapse of Communism, from the advent of globalization to the triumph of information technology. Through it all, Peter Weidhaas has proven himself to be one of the world s most sensitive bibliophiles and an astute pupil of cultural history.See You In Frankfurt! is the story of how the Frankfurt Book Fair found its soul.
Looks at the men who disobeyed Hitler's orders through resistance, thus saving thousands of Allied and German lives, keeping supply lines open, while preserving cities and infrastructure.
The volumes in the series Werbung - Konsum - Geschichte investigate advertising, marketing, consumerism, and material culture both past and present by taking perspectives from the humanities, the social sciences, cultural studies, communication studies, and integrative scholarship. The series' editorial team aims to promote productive discursive and interdisciplinary exchange, and to provide fresh impetus for further research into these areas. Editorial board: Reinhild Kreis, Holger Schramm und Guido Zurstiege.