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« Le merveilleux nom qui vous résume doit faire partie d'une haute fatalité » écrivait Hervé Bazin à Xavier Grall. Ce quêteur éperdu d'idéal en était bien persuadé, et puisqu'on l'avait traité de « sacré gueule de Breton », il voulut aller jusqu'au bout de son identité, de sa fatalité. Pour tenter de retrouver l'homme et de comprendre l'évolution de ses sentiments et de ses convictions à l'égard de la Bretagne, l'auteure du présent ouvrage s'est appuyée sur une documentation exceptionnelle. Elle a, notamment, eu accès, grâce à Françoise Grall, à la bibliothèque et aux archives personnelles de son mari. Après l'inventaire - quasi exhaustif - de l'œuvre grallienn...
Knowing Your Place directs groundbreaking attention to the role of rural and urban places in identity construction. Written to redress the longstanding neglect and denigration of the rural, this book argues that the cultural dominance of the city has been reinforced by postmodern theory's near fixation on the urban and the sophisticated. The essays explore rural identity in a number of cultures and situations, and look at issues of contemporary interest. Topics covered include the uses of popular and high culture, the explosion of high technology, the social and economic impact of ecological policy, the role of labor in the global marketplace, museum curatorship, and post-colonial politics. Throughout, the essays address the many ways in which place identity alters and influences the experience of race, class, gender and ethnicity.
This book investigates the space between the two languages of modern-day Brittany through a series of close readings of literary texts that represent Brittany or Bretonness in the French language. This is the space that is negotiated by translation, be it a smooth translation of Breton scenes and themes into a French fit for the salons of the capital, or a foreignizing translation of Breton motifs into a French that writhes and struggles to accommodate them. It is also the space negotiated by the bilingual author who writes in the shadow of the other language: the literary conventions of one may litter his work in the other, or the idioms and syntax of one may make their ghostly presence felt in the other. But it can equally be a space of violence as in the case of the writer whose whole community has lost its mother tongue, and writes under protest in the language of the cultural oppressor or colonizer. As the first sustained analysis of the literature produced between French and Breton, this book shows us how literary language is affected by such inter-cultural tensions, and also what it can mean to be caught between cultures.
Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion against the world and against philosophy's world-thought. Over a decade ago, Gilles Grelet left the city to live permanently on the sea, in silence and solitude, with no plans to return to land, rarely leaving his boat Théorème. An act of radical refusal, a process of undoing one by one the ties that attach humans to the world, for Grelet this departure was also inseparable from an ongoing campaign of anti-philosophy. Like François Laruelle's "ordinary man" or Rousseau's "solitary walker," Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion agai...
This guide to Brittany and Normandy, now in its 8th edition, contains a full colour introduction section that includes pre-trip information and a colour photograph section of the region's highlights from Monet's garden at Giverny to the Bayeux tapestry. For every part of this region there are reviews of the best places to stay, eat and drink for all budgets. The guide also provides carefully researched articles on the region's history, music, festivals and cuisine.
Calin explores the 20th-century renaissance of literature in the minority languages of Scots, Breton, and Occitan, and demonstrates that all three literatures have evolved in a like manner, repudiating their romantic folk heritage.
Une histoire littéraire de la Bretagne. Un classique. « Copyright Electre »
Based on the author’s decipherment of prehistoric carvings and the application of mathematical measurements, The Gods’ Machines shows how “unknown” phenomena from Angkor Wat to Stonehenge to crop circles are actually powerhouses built by an advanced extraterrestrial civilization for tapping electromagnetic energy. The book traces the development of that civilization on Earth over 5,000 years, revealing how all these structures are aligned according to a universal formula: an angle of 135 degrees at which Earth’s energy has been tapped by the alien creators of these monuments. These fascinating theories not only explain our distant past, but also open the door to a future of power t...
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