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Dionysism and Comedy
This book investigates the idea of comic seriousness in Old Comedy. The issue has been a vexing one in classical studies, and the most traditional stance has been that Aristophanes' comedies reflect his personal ideology, reducing the plays to little more than political speeches. Riu concludes, in contrast, that we should abandon our preconceptions about comic seriousness and approach the language of Aristophanes with care and precision, alert to the nuances of meaning that the comic genre entails. Attempting to set Old Comedy in its proper context, Riu explores the myth and ritual of Dionysus in the city-state (including a reading of Euripides'Bacchae and other sources) and relates the patterns found in those myths to the works of Aristophanes. The book concludes with a section on the relationship between comedy and reality, the import of insults in comedy, comedy as ritual, the relationship between author and character, and the seriousness of comedy. With an appendix that examines the exceptional case ofClouds, Dionysism and Comedy is an important resource for students and scholars of classical comedy and the comedic genre
Drama, Philosophy, Politics in Ancient Greece. Contexts and Receptions
This book is focused mainly, though not exclusively, on ancient Greek drama. It aims at examining the integration of various kinds of texts in the society and the whole body of discourses of their time, as well as in the previous and later tradition. Each chapter analyses one particular case of such integrations and is a sample of the new ways to explore the relationship between texts and literary genres. On the whole the book shows why we need to find more complex ways to describe the relationship between texts and genres in ancient Greece, and to refine the distinction between the various periods of ancient Greek culture. ; Aquest llibre se centra principalment però no en exclusiva en el ...
Drama, Philosophy, Politics in Ancient Greece. Contexts and Receptions (eBook)
This book is focused mainly, though not exclusively, on ancient Greek drama. It aims at examining the integration of various kinds of texts in the society and the whole body of discourses of their time, as well as in the previous and later tradition. Each chapter analyses one particular case of such integrations and is a sample of the new ways to explore the relationship between texts and literary genres. On the whole the book shows why we need to find more complex ways to describe the relationship between texts and genres in ancient Greece, and to refine the distinction between the various periods of ancient Greek culture. ; Aquest llibre se centra principalment però no en exclusiva en el ...
Apocalypse Against Empire
A fresh and daring take on ancient apocalyptic books. The year 167 b.c.e. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted -- forcibly and brutally -- to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. She makes a sturdy case for this argument by examining three extant apocalypses, giving careful attention to the interplay between social theory, history, textual studies, and theological analysis. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire -- renewing their faith in the God of the covenant and answering state terror with radical visions of hope..
Religious and Philosophical Conversion in the Ancient Mediterranean Traditions
This volume explores conversion experience in the ancient Mediterranean with attention to early Judaism, early Christianity, and philosophy in the Roman empire from an interdisciplinary perspective.
A Different God?
Dionysos erscheint innerhalb der modernen Wissens- und Darstellungsformationen oft als untypisch für die antike Kultur, als Ausnahme im Kontext des antiken Polytheismus, ja als Instanz einer Differenz, die die Moderne antizipiert. Was können neuere Forschungen zum genaueren Verständnis der vielfältigen Transformationen des antiken Gottes beitragen? Dieser Frage widmen sich Vertreter aller Bereiche der Altertumswissenschaften in diesem Band, der aus einer internationalen Tagung im März 2009 im Berliner Pergamonmuseum hervorgeht. Vasenbilder und Heiligtümer werden dabei ebenso berücksichtigt wie Texte antiker Dramatiker, Historiker und Philosophen, Papyri und Inschriften. Die Stärke des Bandes liegt in dieser Quellen- und Methodenvielfalt, aus der sich ein umfassendes, facettenreiches Bild des „differenten“ Gottes ergibt.
Text & Presentation, 2015
Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and formats, including two transcripts, 10 research papers and six book reviews. This year's highlight is the keynote conversation featuring Pulitzer Prize-winning playwright David Lindsay-Abaire. This volume is the twelfth in a series dedicated to presenting the latest research in the fields of comparative drama, performance and dramatic textual analysis.
Philosophy & Comedy
Reveals comedy's contributions to the philosophical enterprise
The Philosopher's Song
The Philosopher's Song explores the complex and fruitful relation between the great poets of Greek culture and Plato's invention of philosophy, especially as this bears on Plato's treatment of justice. The author shows how the poets helped shape the development of Plato's thinking throughout the course of his philosophical career.
