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155 dessins réalisés au quotidien par Xavier Veilhan depuis mars 2020, témoignant des moments variés où s'affrontent les styles, les références explicites (ou non), les couleurs et les figures de la géométrie basique, rassemblés sur un mode à la fois chronologique et sériel.
Collectively titled Architectones after Kazimir Malevich's three-dimensional extrapolations of his Suprematist paintings, the various art and architectural projects presented in this book partake in the revolutionary idealism of a period in which it was possible to at least imagine transforming social life from the ground up by way of a new plan and model for building. Xavier Veilhan returns here to his favorite non-traditional exhibition format--installations and site-specific works in architecturally-significant spaces. The artist takes on the specters of modernism, altering the buildings through sculpture, music, light and the interaction between site and guests.
This monograph reviews Xavier Veilhan's monumental sculptures of the past ten years, works that include a buggy distorted as if seen through a rippling pool and a Cubist-style stainless-steel shark. Drawing on references ranging from classical statuary to Futurism and Op art, Veilhan has been compared to artists such as Damien Hirst and Jeff Koons.
Wonder Wood presents this timeless material as it is being used today and how it can be used in the future. It also documents a selection of current international projects and processes, making-ofs, and experiments by 120 internationally renowned designers, architects, and artists, whose creative and innovative approach to the material makes their work compelling. For selected projects, interviews with the designers provide an in-depth look at the creative process and its results. A second section, dedicated to materials and technologies examines innovative developments as well as wood, wood-based materials, finishing technologies, and wooden structure principles. With biographies of the designers represented in the book, an alphabetical index, a bibliography and sources, Wonder Wood will serve the reader as a classic book of reference.
Exhibition catalogue for The Phillips Collection's Intersections installation by Xavier Veilhan, November 3, 2012 - February 10, 2013.
The House of Chanel offers rare access behind the scenes to three haute couture runway shows designed in dialogue with contemporary artist Xavier Veilhan. Virginie Viard, artistic director for Chanel’s fashion collections, entrusted Xavier Veilhan with the set design for three consecutive haute couture shows: Spring‒Summer 2022, Fall‒Winter 2022/23, and Spring‒Summer 2023. This unusually long dialogue resulted in an original visual universe, blending Veilhan’s poetic imagination, his reinterpretation of the Chanel world, and the infinite delicacy of Virginie Viard’s haute couture creations. This retrospective transports readers behind the scenes to observe each stage of the creative work at the origin of the shows. The book includes preparatory drawings, extracts from the films and teasers, photographs of the sets and the runway shows, and details of the embroidery, fabrics, and patterns of the haute couture creations. Exclusive images take readers inside the Chanel haute couture ateliers, revealing the design process and exceptional savoir faire at their core.
Imagination is a word that is widely used by marketing practitioners but rarely examined by marketing academics. This neglect is largely due to the imagination's 'artistic' connotations, which run counter to the 'scientific' mindset that dominates marketing scholarship. Of late, however, an artistic 'turn' has taken place in marketing research, and