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The new memoir from prize-winning writer and filmmaker Xiaolu Guo - playful, provocative and original, it's her deeply personal take on striving for a life of her own 'When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world' DEBORAH LEVY The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threate...
Longlisted for the Baileys Women's Fiction Prize In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter. Two lovers, Mu and Jian, have been driven apart by forces beyond their control. As Iona unravels the story of the lovers, Jian and Mu seem to be travelling further and further away from each other. Iona, intoxicated by their romance, sets out to bring them back together, but time is running out. Xiaolu Guo was named as one of Granta's Best of Young British Novelists
Shortlisted for the Orange Prize for Fiction Twenty-three-year-old Zhuang (or Z as she calls herself - Westerners cannot pronounce her name) arrives in London to spend a year learning English. Struggling to find her way in the city, and through the puzzles of tense, verb and adverb; she falls for an older Englishman and begins to realise that the landscape of love is an even trickier terrain... Xiaolu Guo was named as one of Granta's Best of Young British Novelists
'A fragmentary meditation on the nature of love' Guardian A Chinese woman comes to post-Brexit London to start over - just as the Brexit campaign reaches a fever pitch. Isolated and lonely in a Britain increasingly hostile to foreigners, she meets a landscape architect and the two begin to build their future together. Playing with language and the cultural differences that our narrator encounters as she settles into her new life, the lovers must navigate their differences and their romance, whether on their unmoored houseboat or in a cramped apartment in east London. Suffused with a wonderful sense of humour, this intimate novel asks what it means to make a home and a family in a new land.
Life as a film extra in Beijing might seem hard, but Fenfang - the spirited heroine of Xiaolu Guo's new novel - won't be defeated. She has travelled 1800 miles to seek her fortune in the city, and has no desire to return to the never-ending sweet potato fields back home. Determined to live a modern life, Fenfang works as a cleaner in the Young Pioneer's movie theatre, falls in love with unsuitable men and keeps her kitchen cupboard stocked with UFO instant noodles. As Fenfang might say, Heavenly Bastard in the Sky, isn't it about time I got my lucky break?
Village of Stone brilliantly evokes the harshness of life on the typhoon-battered coast of China, where fishermen are often lost to violent seas and children regularly swept away. It is the beautiful, haunting story of one little girl's struggle to endure silence, solitude and the shame of sexual abuse, but it is also an incisive portrait of China's new urban youth, who have hidden behind their modern lifestyle all the poverty and cruelty of their past.
London, a city of constant transition, transaction, translation. London does not exist; London is a language without a place and it is the aphasic city; it's the mother of all languages. Lucifer Over London is a new anthology nine narrative essays written by a host of international prize-winning authors including Chloe Aridjis, Viola di Grado, Xiaolu Guo, Joanna Walsh and Zinovy Zinik. First published in Italy by Humboldt Books, Lucifer Over London is now appearing in English for the first time. This is a version of London as seen from the immigrants of recent migrations, of deportations to come, from those who create London even as they contradict it.
Silver Hill Village, 2012. On the twentieth day of the seventh moon Kwok Yun is making her way across the rice fields on her Flying Pigeon bicycle. Her world is turned upside down when she sights a UFThing - a spinning plate in the sky - and helps the Westerner in distress whom she discovers in the shadow of the alien craft. It's not long before the village is crawling with men from the National Security and Intelligence Agency armed with pointed questions. And when the Westerner that Kwok Yun saved repays her kindness with a large dollar cheque she becomes a local celebrity, albeit under constant surveillance...
'One of the most valuable writers in the world' Deborah Levy My Battle of Hastings is an exploration of how an immigrant, an outsider and a woman can embrace local and national history. In winter 2021, Xiaolu Guo moved into a tiny dilapidated flat on the Hastings seafront, a room of her own where she could spend time writing away from her domestic duties as a mother and wife in London. As Russia invaded Ukraine, she immersed herself in the English landscape and its past, especially the violence between Normans and Saxons. My Battle of Hastings is a chronicle of Xiaolu’s life in Hastings and a portrait of a dislocated artist seeking to connect with her local environment in the hope of finding a deeper connection to her adoptive nation. Filled with profound, beautiful and wry reflections on war, history, migration and belonging, Xiaolu’s journey into the past completes the triptych of memoirs that began with Once Upon a Time in the East, charting her childhood in China, then continued with Radical: A Life of My Own in search of a freedom beyond her home.
*Winner of the National Book Critics Circle Award* *Shortlisted for the Costa Biography Award* *Shortlisted for the Jhalak Prize* *Shortlisted for the Rathbones Folio Prize 2018* *A Sunday Times Book of the Year* Xiaolu Guo meets her parents for the first time when she is almost seven. They are strangers to her. When she is born in 1973, her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China: censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in Britain. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home. 'This generation's Wild Swans' Daily Telegraph