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This is the story of the rise of Emperor Gaozu, his alliances and his rivalries, and the priceless partnership provided by his chief military strategist Zhang Liang, who planned victorious campaigns from 1000 miles distance; Xiao He, who stabilized the state, pacified the people, and assured the food supply to the army; and General Han Xin, who commanded the Han army in its conquest of the State of Wei, the State of Zhao, the State of Yan and the State of Qi and played a great role in the defeat of Xiang Yu. Most of the material used in writing The Road to the Throne are taken from the Records of the Grand Historian (Chinese: 史記 or shiji) by the great Sima Qian (145 BC to 85 BC) of the E...
Chinese is one of the rare languages that was created thousands of years ago and has been in continuous use ever since. As language signs, Chinese characters reflect how ancient Chinese residents observed and understood the universe and themselves. These characters carry the fundamental ideas of man and nature, which have further developed into Chinese philosophies that have shaped Chinese personality traits and the landscape of contemporary China. This book explores the origin and evolution of selected Chinese characters that best represent the cognitive process and core values of Chinese culture. The study of Chinese characters provides an insight into Chinese wisdom of harmony, love and resiliency from which people draw strength in face of challenges today. The book is unique in its inclusion of featured Chinese calligraphy in character studies, accounting for the aesthetic enjoyment of traditional Chinese art in the history of Chinese characters’ evolution.
Liaozhai Zhiyi (Liaozhai; Chinese: 聊齋, or 聊齋誌異), called in English Strange Tales from a Chinese Lonely Studio is a collection of Classical Chinese stories by Pu Songling comprising close to five hundred "marvel tales" in the zhiguai and chuanqi styles which serve to implicitly criticise societal issues then. Dating back to the Qing dynasty, its earliest publication date is given as 1740. Since then, many of the critically lauded stories have been adapted for other media such as film and television. The main characters of this book apparently are ghosts, foxes, immortals and demons, but the author focused on the everyday life of commoners. He used the supernatural and the unexplainable to illustrate his ideas of society and government. He criticized the corruption and injustice in society and sympathized with the poor. The book is complete translation of all volumes (Vol. 1 to 12) of Liaozhai.
Clear Words to Understand the World (喻世明言, Yushi Mingyan), is a collection of short stories written by Feng Menglong during the Ming dynasty. It was published in Suzhou in 1620. It is considered to be pivotal in the development of Chinese vernacular fiction. Feng Menglong collected and slightly modified works from the Song, Yuan and Ming dynasties, such as changing characters’ names and locations to make stories more contemporary. The writing style of the series of stories is written vernacular, or baihua, the everyday language of people at that time. The 40 stories are divided into 3 sections, one section collects Song and Yuan dynasty tales, one collects Ming dynasty stories, and...
This is a unique and conclusive reference work about the 6,000 individual men and women known to us from China’s formative first empires. Over decennia Michael Loewe (Cambridge, UK) has painstakingly collected all biographical information available. Not only those are dealt with who set the literary forms and intellectual background of traditional China, such as writers, scholars, historians and philosophers, but also those officials who administered the empire, and the military leaders who fought in civil warfare or with China’s neighbours. The work draws on primary historical sources as interpreted by Chinese, Japanese and Western scholars and as supplemented by archaeological finds and inscriptions. By devoting extensive entries to each of the emperors the author provides the reader with the necessary historical context and gives insight into the dynastic disputes and their far-reaching consequences. No comparable work exists for this important period of Chinese history. Without exaggeration a real must for historians of both China and other cultures.
The Annotations on the Waterway Classic (Chinese: 水经注; pinyin: Shuǐ Jīng Zhù) is a work on the ancient geography of China, describing the traditional understanding of its waterways and ancient canals, compiled by Li Daoyuan during the Northern Wei Dynasty (386-534 AD). The book is divided into sections by river, each described with its source, course, and major tributaries, including cultural and historical notes. The work is much expanded from its source text, the older (and now lost) Waterway Classic (Shuijing 水经). The original text described 137 different rivers in China, and its authorship was attributed to Jin dynasty scholar Guo Pu. Li Daoyuan's 40-volume, 300,000-character version includes 1252 rivers.
三十六计, often translated as "36 Strategems" have always been marketed as a guide for businessmen to give them an edge over their competitors. But make no mistake, these are just 36 dirty tricks used in China over thousands of years in war and swindle. Most of these tricks cannot be ethically applied. Some can be downright criminal. In this book, Singaporean author Chan Joon Yee nakedly illustrates the 36 dirty tricks in their original context with examples from both ancient and modern times. He makes no attempt to market it as a business guide and sincerely hopes that his readers will read it purely for entertainment.
Law Wing Sang provides an alternative lens for looking into Hong Kong's history by breaking away for the usual colonial and nationalist interpretations. Drawing on both English and Chinese sources, he argues that, from the early colonial era, colonial power has been extensively shared between colonizers and the Chinese who chose to work with them. This exploration of the form of colonial power includes critical discussions of various cultural and institutional aspects, looking into such issues as education, language use, political ideologies and other cultural and political concerns. These considerations permit the author to shed new light from a historical perspective on the complex and hot...
Regional Literature and the Transmission of Culture provides a richly textured picture of cultural transmission in the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, a practice that flourished in North China. Study of these narratives opens up surprising new perspectives on vital topics in Chinese literature and history: the creation of regional cultural identities and their relation to a central “Chinese culture”; the relationship between oral and written cultures; the transmission of legal knowledge and popular ideals of justice; and the impact of the changing technology of the late nineteenth and early twenti...
Draws on multidisciplinary perspectives to examine from both sides the domestic and international dynamics of the bilateral relationship. Michael Heazle and Nick Knight, Griffith University, Australia.