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Confessions of a Red Guard
Unlike other accounts of the Cultural Revolution, novelist Liang Xiaosheng's Confessions of a Red Guard relates minor, intensely personal incidents affecting ordinary people during this extraordinary historical period. In the author's odyssey as a young Red Guard, he is witness to public humiliations of "counterrevolutionaries," real and imagined; a sex murder and the culprit's execution; a budding romance in a most unlikely place; stolen pleasures with forbidden books; the ecstasies and personal sacrifices surrounding a glimpse of Chairman Mao at Tiananmen Square; and a host of small ironies of life during a revolutionary movement.
Everyday Modernity in China (Studies in Modernity and National Identity; A China Program Book)
Essays address expressions of modernity in relation to non-Western politics and national cultures. Topics range from the installation of gas streetlights in Shanghai to urban planning efforts aimed at improving daily routines of work and leisure.
Panic and Deaf
Educated Youth. The Lost Generation. They served Mao’s Cultural Revolution as Red Guards in the late 1960s, only to be sacrificed to that same revolution a decade later when they were rusticated to desolate communes and the wastelands of northern China. When they were allowed to return to the cities, they found themselves dislocated once again, this time by the social and economic upheavals of the post-Mao era. A former Red Guard and one of China’s most accomplished satirists, Liang Xiaosheng follows his compatriots as they make their way through the morass of petty corruption, bureaucratic back-biting, and opportunism that is the new New China. In a tone deceptively light and humorous, ...
Memory, Fluid Identity, and the Politics of Remembering
The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of history, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li’s critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering: The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that “memory works” not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment.
Morning Sun
This is a collection of interviews with 26 writers of China's "zhiqing" generation, relatively young artists who participated in the Cultural Revolution as teen-age Red Guards, suffered through the subsequent rustication of intellectual youth, and eventually returned to relatively normal lives, but always with a tragic hiatus haunting their formative years. While one goal of Professor Leung is to introduce to the West an important group of writers little-known outside China, she also aims to succeed, through the interviews, in providing a special perspective on the devastating political history of China since the 1970s years through the eyes of its keenest observers and in offering a perspective on the social, political and cultural milieu of the period.
Intellectuals at a Crossroads
Zhidong Hao's fascinating book, Intellectuals at a Crossroads, examines groups of contemporary Chinese intellectuals, their successes, failures, identity contradictions, and ethical dilemmas. Three categories of intellectuals are studied: organic intellectuals who serve specific interests, from government and business to working class movements; critical intellectuals who defy authority with continued social criticism; and "unattached" intellectuals who are fast being professionalized. Using a historical-comparative approach enhanced with demographic and rare interview data, the book bridges the traditional with the modern and the Chinese with the foreign by exploring how these intellectuals are adapting to their roles and influencing political, economic, and social change in the "new" China.
Tempered in the Revolutionary Furnace
In Tempered in the Revolutionary Furnace, Yihong Pan tells her personal story, and that of her generation of urban middle school graduates sent to the countryside during China's Rustication Movement. Based on interviews, reminiscences, diaries, letters, and newspaper accounts, the work examines the varied, and often perplexing, experiences of the seventeen million Chinese students sent to work in the countryside between 1953 and 1980. Rich in human drama, Pan's book illustrates how life in the countryside transformed the children of Mao from innocent, ignorant, yet often passionate, believers in the Communist Party into independent adults. Those same adults would lead the nationwide protests in the winter of 1978-79 that forced the government to abandon its policy of rustication. Richly textured, this work successfully blends biography with a wealth of historical insight to bring to life the trials of a generation, and to offer Chinese studies scholars a fascinating window into Mao Zedong's China.
The River Fans Out
This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture.
